London Region Annual Report – 2013

European Reminiscence Network

Pam Schweitzer

Reminiscence Theatre Archive
Greenwich University has accepted the archive of recorded and transcribed interviews and related theatre work created during my years as Founder and Artistic Director of Age Exchange Theatre Trust (1983-2005) In May 2012, I transferred all the surviving material relating to reminiscence theatre to the University. The archive consists of audio-recordings on key themes in social history of 20th century, including women’s war work. working life on the River Thames, inter-war housing estates round London, Health care before the NHS, Jewish East End and Irish memories, plus many more.
In many cases there are matching transcripts and accompanying photos. The scripts formed from these reminiscences are included, plus production photographs, tour schedules, press reports, etc.

The Archive and Students
The University is not only storing the archive, but actively working on it in various curriculum areas, especially Drama. For example, drama students have been exploring the archive as a source for new theatre productions.
Several of these productions have toured to local sheltered houses where they have been very well received. Here, a student records her pleasure in learning about reminiscence theatre and having a chance to play for older people.

Wioleta Pietrasik on participating in Reminiscence Theatre
Volunteering at university gave me an opportunity to work with archive material, which I have never done before. I read stories that were previously recorded and found it very touching. I had many ideas, which I used to work in my written work and created performances which brought those precious stories to life. Our meetings were full of energy; we improvised with the text, devised movement, decided on the order of the pieces and how to present them in an enthusiastic way, which did justice to the stories’ authors. At the end of the day these weren’t just stories, but people’s lives, or parts of them. Therefore I felt responsible for producing pieces which would not only have historical meaning but also an artistic outcome.
We were given a number of opportunities to present our performances to the audience at Care Homes and university meetings. After each performance we were given time to talk to elderly people, which was an amazing experience, as we could hear their response and feedback to our work.

A new website for the Reminiscence Theatre Archive is launched
During this last year, the University of Greenwich has facilitated the making of a website to reflect the depth and variety of material in the archive. The in-putting work has been conducted by Assistants from Poland, Finland and Spain, funded by the European Commission, and students of the university. The website was due to be launched on 23rd of May 2013 with a special event. Because of the murder of Lee Rigby outside the Woolwich Barracks, just round the corner from the Greenwich University Drama Building, this had to be cancelled at the last minute, which was very upsetting for all concerned. However, the site is now on-line and can be viewed at
We shall have a belated official launch, together with performances of reminiscence theatre at the University of Greenwich on 26th June 2014, as part of the forthcoming conference “Remembering Yesterday, Caring Today” (see below).

European Reminiscence Network: Reminiscence in dementia care
This last year, we gained new EU Learning Partnership funding with partners in 8 EU countries to develop a new training and apprenticeship course in Reminiscence in Dementia Care. The project is called “Remembering Yesterday, Caring Today Training (RYCTT) and it runs for 2 years until July 2014. The partner countries are Germany, Spain, Czech Republic, Slovakia, Northern Ireland, France, Poland and UK. We also have 4 associate partners pursuing the same project in Finland, Netherlands, Ireland and Estonia.
There have been three international meetings of this Learning Partnership since my last report. The first was in Prague in November 2012, the second in Perpignan in France in April 2013 and we have just returned from Poznan, Poland. On each occasion, 6 or 7 of us have travelled to these countries to compare notes and catch up with partners developing the same project. This year I invited 2 post-graduates from Greenwich University, and again Wioleta Pietrasik has written about her experience of performing the piece in London and in Poland.
As part of one of my university courses I created a theatrical piece about the life of my grandmother. She was always my inspiration and role model and I have always wanted to create a piece of drama based on her difficult, but also beautiful life. She was an amazing story-teller and I gathered in my memory all those amazing things she told me, added her favourite poems, my favourite songs which she sang to me and cultural elements (such as use of different language) as my grandmother was Polish. My main interest was how dementia, which she suffered from, changed her as a person and what impact it had on her life when the symptoms started to show.
I really enjoyed working on the piece itself. It brought back happy memories and made me realize how similar we both were. I received fantastic feedback from my tutor and decided to present my piece at the European Reminiscence Network meeting in October, 2013 in Poznan (Poland). The meeting was about ‘Remembering Yesterday, Caring Today'(an international reminiscence project for people with dementia and their family carers) and I thought that my piece would fit in perfectly.
Unfortunately a few days before the conference my grandmother passed away. It was a very difficult time for my whole family and I travelled to Poland to attend the funeral. I decided I would still take part in the conference and will present my creative project as a form of tribute to my grandmother. I felt very vulnerable, but also felt like sharing my memories and stories with others as I thought it would help me go through that difficult time. The reception of my piece was over-whelming: everyone was very sensitive and kind and the feedback was amazing. At the end of the conference a few participants said that they found my piece the most memorable thing they will take away from the whole meeting. I am very humble and thankful and really hope I have done justice to my grandmother’s life.

In connection with this RYCTT project, we have piloted in London a 2-day training course based at the University of Greenwich, involving experiential and theoretical learning about Reminiscence in Dementia Care. This course is now being used and certificated across all partner countries. The apprenticeship scheme follows the training course with 10 weeks of involvement in reminiscence workshops with people with dementia and their family carers. This includes taking responsibility for leading sections of the workshops and writing an essay (or other form of submission such as a video diary) reflecting on learning achieved. Those who have satisfactorily completed these requirements receive an accreditation as facilitators of groups running reminiscence in dementia care. Across our whole partnership we hope to have 300 people trained and 100 people gaining accreditation via the apprenticeship scheme.

An International Conference on Reminiscence in Dementia Care
Our latest news is that we have been funded by the European Commission to run an international conference on Reminiscence in Dementia Care at the University of Greenwich on 26-27 June 2014. All our EU partner countries will attend and present their work, together with arts and health professionals from across the UK and well beyond. For further information about the conference, send off to Marta Moreno at this email address or to me at

London Region Annual Report – 2012

(Pam Schweitzer)

RTRT: Remembering Together: Reminiscence Training for families living with dementia, supported by the EU. This Reminiscence Arts project has an international and a local side.
It is a development of the original Remembering Yesterday, Caring Today project which began in 1997 and has been running ever since across the UK and in several EU countries, and which continues to evolve. Over the last 18 months, I have been coordinating 11 partners in different EU countries following a joint project involving people with dementia and their family carers. In each country, groups of families have met over a 3 – 6 month period on a weekly basis to explore through reminiscence and related arts activities their own life stories. They have worked on a one-to-one basis, in small groups and as a whole group on a series of sessions covering major events in the life course. Partners in the international project have then shared their results in international meetings (N. Ireland, Finland, Spain and Germany) of the partners and through a dedicated website:

The London-based part of this project is also recorded on the illustrated website mentioned above. There have been 3 London-based groups, as follows: In Greenwich (in association with Woolwich Memorial Hospital) a group of Asian elders and their family and paid carers, working in 4 Indian languages and making a wall-hanging for their day centre with an Asian artist (I reported briefly on this project in the previous network report.)

In Westminster (in association with Westminster Arts) a mixed group of local families who then worked with 2 local artists on the making of personal cushions (involving drawing, photography and sewing)

In Camden (in association with Camden Carers) families met for a number of groups reminiscence sessions and then went on to make artistic end-products with artists, including memory boxes, life story books and embroidered collages, all of which were displayed at the project’s last international meeting in Kassel, Germany in June 2012.

Two further groups have run in Bradford and Carlisle and information on these is also available through the website

This project has just received a small amount of additional funding to further the work and train more group leaders. It is called RYCTT (Remembering Yesterday, Caring Today Training) and will run till June 2012.

We have started work, both locally and internationally, with a group of families established in Woolwich and an international meeting coming up in Prague to agree an international training scheme and an apprenticeship scheme to develop the work of reminiscence in dementia care in all participating countries.

Reminiscence Theatre Archive
Greenwich University accepts the archive of recorded and transcribed interviews and related theatre work: In May 2012, I transferred all the surviving material relating to reminiscence theatre created during my years as Founder and Artistic Director of Age Exchange Theatre Trust (1983-2005) The archive consists of audio recordings on key themes in social history of 20th century, including women’s war work. Working life on the River Thames, Inter-war housing estates round London, Health Services before the NHS, Jewish East End and Irish memories, plus many more. In many cases there are matching transcripts and accompanying photos. The scripts formed from these reminiscences are included, plus production photographs, tour schedules, press reports, etc.

The University is not only storing the archive, but actively working on it in various curriculum areas, including drama and media studies, creative writing, history and local studies, health and social sciences. For example, drama students have been exploring the archive as a source for new theatre productions. At the launch of the archive 3 of these short plays were performed by the students and will now be touring local sheltered housing units in the area and more are in preparation. Reminiscence Theatre will be incorporated into the curriculum and the oral history component will feature in the history syllabus. The University has recently launched its excellent oral history website reflecting wartime Greenwich memories. You can see it at

A website will be developed in the next few months, with support from the University history department, which will explain the website and describe its contents with short examples of oral testimony, reminiscence theatre scripts, photos and DVD recordings of shows. Students on drama and history courses will work on the site alongside assistants from Poland and Finland who are working with us through an EU scheme.

Museum of London

(Sarah Gudgin)

We have continued to build our oral history collection, adding new interviews ranging from people talking about the Occupy Movement in EC4, to the Manager of the Olympic and Paralympics Village talking about another temporary community over in the newly created postcode of E20.
We are also in the process of acquiring two new digital collections from two very different oral history projects. One reflecting the working life and governance of the Thames, and the other documenting the experiences of a river community living on historic boats moored on the Thames. These two collections will compliment existing historic recordings from our Port and River Collection.
We are now closer to completing our target for digitalising the entire oral history collection, ensuring its long term preservation and offering greater access for the future. In addition we are now constructing a Digital Collections Policy which will inform our work with all forms of digital media and collecting.

Collections Online database
The Museum of London launched a project early in 2012 to develop its Collections Online database where over 90,000 records will be available online.
The main focus of the work of the oral history team during this year has been to create records for oral history to feature in the Collections Online database. This will help to make the oral history collection more accessible to the public. At present researchers currently access the oral history collections directly via appointments, hand lists and analogue/ digital listening copies at the History Collections Department in the Museum.
Collections Online allows people to search across all our collections in one go. The content covers the 3,000 items on display in the Galleries of Modern London, but more will be added every month until the Museum’s entire collection are accessible through Collections Online.

Olympic Collecting
We are in the process of creating a record of the London 2012 Olympic Games and Paralympics Games, looking at the impact of the Games and the legacy in the host city through oral history interviews and contemporary collecting.
In addition to reflecting the experiences and perspectives of Londoners from the Olympic Park area and its local communities, we aim to record the experiences and perspectives of people involved behind the scenes with the organisation of the Olympic Games and Paralympics Games as well as torch bearers, Games makers and elite athletes who have competed in the Olympic Games and Paralympics Games in London in 2012. The contemporary collecting will involve material objects such as an Olympic torch, costume items and ephemera relevant to this important event in the capital.

The Recorded Media Project
The Recorded Media Project continued apace at the Museum of London during 2011-2012. To date 70% of the cassette collection has been digitised which includes the London History Workshop Sound and Video Archive and the Museum’s Core Collection. Prior to digitisation cataloguing of the non-accessioned oral history interviews was conducted from paper documentation relating to the interviews. Now with the digital audio accessible, data cleaning and completion of cataloguing the interviews are preserved and accessible for future generations.
Bill Lowry will continue the work started under the Recorded Media Project of digitising the oral history collection and making it accessible via the Museum’s website.

Museum of London: Opening Up to Digital Environments
In April 2011 the Museum of London was delighted to be awarded a £13million Arts Council England grant, for a programme of work aimed at ‘Opening Up’ several strands of work across the Museum, including Archaeology, Communities and Partnerships and Volunteers.
Hilary Young has been appointed as the Museum’s first Digital Curator, and will work with Bill Lowry on the Museum’s Opening Up to Digital Environments. Hilary will conduct new digital collecting projects for the Museum exploring the potential to collect and display non oral history sound-based objects, film, social media and web based applications. It is an exciting time for the Museum as it explores a new area of collecting intangible objects that represent the stories and life of London.

Occupy Oral History and Creative Commons
Early in 2012 the Museum participated in discussions with Occupy Oral History at the Bank of Ideas in Finsbury Square and the Occupy Library at the St Paul’s camp. Capturing Occupier’s experiences of this contemporary protest presented an interesting challenge to the Museum who often works retrospectively with community groups to record their past histories. It also opened up debate within the Museum’s oral history group around recording oral history interviews with participants in current events.
The Museum was offered material culture objects from both the Bank of Ideas site and the St Paul’s camp including the Bank of Ideas banner and a woollen hat knitted by a pensioners group to keep Occupiers’ heads warm in the chilling winter months. These objects presented opportunities to record their owners’ stories and experiences of participating in the Occupy movement. The Occupiers have stated their wish for their interviews to be available under a Creative Commons licence. This presents a challenge to the Museum, which we are working through this at the moment. We hope to have records of the interviews available on Collections Online within the coming months.

Little Boxes of Memories
The Oral history department has been involved in creating Little Boxes of Memories. This is a multi-sensory story sharing experience for young people who have severe and complex disabilities at Greenvale School. The Little Boxes of Memories convey the experiences and memories inspired by recordings done with older Londoners using touch, smell, sound and visual stimuli. The boxes have been designed with young people with severe and complex disabilities, volunteers, and artists, and is collaboration between Entelechy Arts and the Museum of London.
‘Little Boxes of Memories’ will tour to 10 Special Education Needs (SEN) Schools in London to allow the children to learn from the experiences of the older generation.

#Citizencurators was the Museum’s pilot social media collecting project that ran throughout the 2 weeks of the Olympic Games.
We invited 16 Twitter users to use the project hashtag #citizencurators to tweet about their experiences and reactions to life in London during the Games. The Museum made a pledge to harvest any tweets that used the hashtag, in order to explore the potential of capturing the immediacy of events around the Olympics as they unfold. The Museum harvested c.7000 tweets and retweets over a 2 week period, creating a document of small group of Londoners’ lives during this time. As we begin to data-mine this material it is possible to broadly categorise the types of tweets that used the #citizencurators hashtag. These include daily experiences, documenting day to day experiences or a changing sense of the city. Debates reflecting on wider stories surrounding the Olympics. Community impact, documenting the impact of the Olympics on local communities or environments. For further information

Many East Ends gallery- Museum of London, Docklands
The consultation process and concept development for an exciting new gallery to replace New Port, New City Gallery at the Museum of London Docklands is under way.
Many East Ends is a working title, which encapsulates the starting point of this consultation, acknowledging that there will be multiple perspectives on the subject. The process for creating the new gallery involves a programme of research, consultation and collaboration, with a range of individuals and groups, whose contributions have stimulated discussions and debates around how the story of the East End could be told.
Oral history from our collections and video recordings will feature strongly within the new gallery. This will include recently digitalised oral histories as well as material from our Port and River Collection, made available as a result of the work carried out through the Recorded Media Project.

The War on our Doorstep: London’s East End and how the Blitz changed it forever
By Harriet Salisbury (Author), and the Museum of London Group [Paperback: published by Ebury Press]
Over the past year author Harriet Salisbury has been a regular researcher at the Museum delving into the Museum’s oral history collection whilst writing her book, The War on our Doorstep. The book is a fascinating history of the East End of London from the start of the 20th century to the late 1950s, as told by those who lived through this period and is based on the oral history recordings held within the Museum of London’s oral history collection.
Read about the discoveries that Harriet made while delving into the Museum of London’s oral history collections for her new book, in this blog.

Oral History Blogs:
Catch up with some of our oral history blogs here:

Research and Access to the Collections
The Museum continues to provide advice in response to a steady stream of enquiries from people from a range of backgrounds and sectors working on oral history collecting and display projects. We have seen an increasing number of students looking at oral history as part of museum studies and migration studies courses among others, and an interest in our work with LGBTQ oral history and collecting.
The Museum welcomes researchers who wish to study its stored collections. An appointment must be arranged before your visit, and we have recently updated our research procedures. Information and a Research Request From can be found at:

East Midlands Region Annual Report – 2013

Leicestershire & Rutland

Cynthia Brown & Colin Hyde

Oral histories have formed part of several local projects funded under the HLF ‘All Our Stories’ programme. They include ‘For Truth’s Sake’ by the Leicester Secular Society, which was founded in 1851 and is the oldest surviving Secular Society in England. Extracts from interviews featured in an exhibition in September 2013, and will be used in other activities to document the Society’s history and that of the Secular Hall, which was opened in 1881 and still hosts the Society’s meetings and other events. The BU History Group has also received funding under the ‘All Our Stories’ programme to produce a website, DVD and book based on the memories of former employees of the British United Shoe Machinery Co (BUSM). The ‘BU’ was once the largest producer of shoe-making machinery in the world, employing 4500 people at its peak. The interviews are being deposited in the East Midlands Oral History Archive (EMOHA).

Other new projects have been funded through the ‘Building Shared Heritages’ programme in which the University of Leicester’s School of Historical Studies aims to widen access to its resources and help local groups with research and access to funding. ‘Not Lost the Plot’, by the Friends of Queens Road Allotments in Leicester, is exploring the heritage of over 160 privately-owned allotments, purchased from the Craddock family in 1926. A project by the Leicester Mayasa Link Group, ‘Reaching Out: the untold story of Leicester’s twinning links’, aims to explore and record both the civic and social aspects of the City’s twinning links with Strasbourg (France), Krefeld (Germany), Rajkot (India), Chongqing (China) and Haskovo (Bulgaria), as well as Mayasa (Nicaragua) itself. It will be recording memories and collecting photographs, documents and artefacts with a view to producing an exhibition, educational resources and a video.

The Hinckley and Bosworth Sound Archive has recently been updated and has a variety of reminiscences and interviews hosted by Hilltop Radio and Earsight. The oral history section features interviews conducted by Rhianydd Murray on the hosiery industry in Hinckley at

The annual EMOHA Oral History Day was held at the University of Leicester in June 2013 on the theme of ‘Oral History: past, present and future’. Organised by Colin Hyde and Cynthia Brown, it also marked the thirtieth anniversary of the original Leicester Oral History Archive and Mantle Oral History Archive in North West Leicestershire, established with funding from the Manpower Services Commission. Colin’s reflection on thirty years of oral history in Leicester and Leicestershire was followed by presentations from Simon Dixon and Tom Hulme on ‘rediscovering’ the history of Leicester’s Cultural Quarter through oral histories, and by Terese Bird on the use of oral history with other media in the ‘Manufacturing Pasts’ website. All three are based at the University of Leicester. Other speakers were Wendy Freer, who talked about the use of digital sound at Ashby-de-la-Zouch Museum; Roger Kitchen, who reflected on the origins of the Living Archive in Milton Keynes, and the challenges and rewards of turning oral testimony into dramatic productions; and Nick Hayes, who gave an update on options for recording equipment. Around thirty people attended from across the East Midlands.

EMOHA continues to contribute to a range of University of Leicester projects investigating the effects of deindustrialisation in Leicester. This work includes the history of Leicester’s industry for the City Council’s ‘Story of Leicester’ website, which also links to previous projects ‘Manufacturing Pasts’ and ‘My Leicestershire History’: cityheritage/atwork/. Colin Hyde of EMOHA, Liz Blood of Leicestershire County Council, and Burt McNeill of the Record Office for Leicestershire, Leicester & Rutland (ROLLR) have been recording interviews with members of the Leicestershire Branch of the British Korean Veterans Association to mark the 60th anniversary of the end of the Korean War. The interviewing is now finished and a brief look at the recent service of remembrance at Leicestershire County Hall is available on You Tube at . The plan is to create a longer documentary using the interviews and the large amount of memorabilia that has been collected during the project.

‘Dialect & Oral History: the East Midlands’ is a new resource on EMOHA’s website. This project was a collaborative research project conducted in 2011-2012 by researchers from the University of Leicester and Nottingham Trent University. Funded by The British Academy, the project identified variation and change in the East Midlands dialect through an investigation of recorded voices from oral history archives. To address a gap in previous linguistic research in the area, the study examined a number of archival oral history interviews from the latter half of the last century and compared those with interviews conducted more recently. Have a listen to voices from across the East Midlands here:

EMOHA has also taken in several new collections over the past year, among them recordings made for an exhibition about hair braiding; those made for the Centre for Indian Classical Dance (CICD) Karman Project about South Asian classical dance in Leicester; a project called ‘Father Used to Say’ that gathered stories from Leicestershire people and set them to music; interviews about the history of Leicester’s Cultural Quarter; Leicester Museum’s ‘Suits & Saris’ project about South Asian clothing; Mosaic’s ‘Our Lives’ project, about the lives of disabled people; and ‘Mountsorrel Memories of Stone, Steam & Steel’, a project by Glassball Arts in partnership with the Mountsorrel Heritage Group and Lafarge Aggregates & Concrete UK. These reflect the wide variety of projects that groups in Leicestershire have been involved with. Although most of these will not be catalogued in the near future, they will be stored safely and made available to anyone wanting to listen to them.

A full list of collections held at EMOHA can be found at


Christina Raven-Conn

At the Local Studies section of Nottingham Central Library we continue to support local projects, mainly with advice and use of our collection for research. We are also willing to receive copies of oral history from local Nottingham and Nottinghamshire projects for archiving and also copies for the library’s collection where possible.

Nottingham Women’s Centre have successfully gained an HLF Grant to carry out a project about the Women’s liberation movement in Nottingham and Nottingham Women’s Centre when it was located on Shakespeare Street in the 1970s – mid 1980s. They are trying to locate women who worked at/used the centre during this era to interview and record their memories; as well as exploring ways to preserve the archives that they currently hold.

Eleven-eleven-eleven (Part of Nottingham City Council First World war Project – ‘From the Trent to the Trenches – Nottinghamshire in the Great War 1914-18) is a community memories project that attempts to gather stories from the many diverse communities that make up Nottingham as it is today. In 1914 the city was a very different place than it is now, and most of the communities that have settled here since, will not have been present during the years of World War 1. But there will be people from across the city’s many communities who have family stories connected to the war. These may be stories of relatives serving in armies, maybe for the British Empire Forces, the Allied Forces, or the Central Powers. Or they may be stories connected to the impact of the war on the countries in which their relatives lived.

The Children of the Croft project has now been completed. This is the history of the Family First at The Croft, Nottingham from 1966 to 1975; it was managed by Now Heritage. The Croft, Nottingham, a large house in Alexandra Park could house eight women and their small children at any one time. More information can be found on their website – an online exhibition created from this project (November 2011- January 2013).

Daniel O’Neill, a current PhD student at the University of Nottingham is working on the John Player Advertising Archive that the City Council’s museum service holds. As part of this he is conducting an oral history project interviewing former employees of Player’s. The aim is to get at the stories behind some of the physical objects we hold.

There is also the Nottingham Green spaces project, supported by the Arts and Humanities Research Council, this community history project aims to examine the changing social and cultural uses of the Forest, the Arboretum, the General Cemetery, Church Cemetery and some of the other green spaces formed during the mid-nineteenth century. Led by the University of Nottingham and the University of Derby and working with the Friends of the Forest, Friends of the Nottingham Arboretum, Nottingham City Council, Nottingham Women’s History Group and other partners, it is exploring the relationship between the parks and the changing communities in their vicinity. The project is directed by Professor John Beckett of the University of Nottingham and Dr. Paul Elliott of the University of Derby. More information can be found at

East Midlands Region Annual Report – 2012

Leicestershire & Rutland

(Cynthia Brown & Colin Hyde)


A series of interviews to mark ninety years of the British Legion in Leicestershire and Rutland has now come to an end. All the information gathered through the interviews will be kept at the Record Office for Leicestershire, Leicester & Rutland (ROLLR) along with documentary material collected as part of the same project. There is more information at Videos from the ‘Migration Stories’ project have been added to the EMOHA YouTube site and are also presented on a map of the East Midlands on the Migration Stories website at The ‘Village Voices’ project to record Leicestershire accents and dialects has been extended to cover more ground and add to the recordings already collected.

EMOHA held its annual Oral History Day in June 2012 on the theme of ‘Telling Stories’, attended by delegates from across the region. Speakers included Sally Horrocks from the University of Leicester, who is also Academic Advisor to the National Life Stories ‘Oral History of Science’ project, and Ruth Page from the University’s Department of English who spoke about narrative theory; Michelle Winslow on recording end-of-life stories in a palliative care environment in Sheffield; Helen Bates and volunteers from the ‘On the Flats’ project on Hyson Green in Nottingham (see Nottingham below for more details); Roger Kitchen on digital storytelling; and Pete Davis, a storyteller, who described his work with elderly people with dementia – as well as telling a story of his own!

Other work in Leicestershire and Rutland over the past year includes a one-year project by Mosaic, a Leicester-based organisation providing information and services to disabled people. It has been conducting interviews to document the lives of forty five people who were either born with a disability; have suffered a sudden trauma or stroke, or been wounded through war or accident; or who have acquired a disability through a progressive medical condition. At the end of the project the results will be shared through a DVD, magazine and travelling exhibition, aimed both at the general public and schoolchildren.

The three villages featured in Michael Wood’s Story of England BBC TV series were awarded Heritage Lottery funding for a ‘Heritage Legacy Project’ through which volunteers have produced material for a series of heritage trails, interpretation panels and school study packs. The project includes memories recorded in audio and video, and these will also be featured in a new online Kibworth Archive alongside photographs and historical documents. See De Montfort Hall, a major music and entertainment centre in Leicester, has been appealing for memories of concerts and other events at the Hall to help celebrate its centenary in 2013. The Hall was designed by the local architect Shirley Harrison for the Corporation of Leicester, and completed at a cost of around £21,000. As well as hosting recitals by many distinguished organists, De Montfort Hall has been a regular venue for classical music concerts, pantomime and popular music including the Beatles and Rolling Stones in the 1960s.

The Highfields Association of Residents and Tenants (HART) in Leicester has published a book based on memories of living or working in the South Highfields area of the city, which has attracted migrants from many different cultures over the years. It was supported by funding from Near Neighbours, a project administered through the Church Urban Fund to encourage people from different faiths to get to know each other better and establish initiatives to improve local neighbourhoods. A project celebrating thirty years of the Centre for Classical Indian Dance (CICD) in Leicester was also completed in June 2012 with the launch of an exhibition and book. Entitled ‘Karman’ – the Sanskrit word for ‘works’, ‘deeds’ or ‘actions’ � the project was funded by the HLF. Volunteers recorded over fifty interviews with past and present students, dance teachers, arts administrators and others who have been involved with CICD since its foundation by Nilima Devi. Hundreds of students have studied at CICD over the years, some up to the level of a six year Diploma Course in Kathak.

The young people’s performance group Nani Hathi, based in Blaby, Leicestershire was been awarded �23,300 to uncover the ‘forgotten’ stories of soldiers from the 4th Indian Division who fought at the Battle of Monte Cassino in Italy in 1944. The two year project will involve interviews with veterans who moved to Leicestershire after the war, or people in the Asian communities who have memories of fathers, uncles or other relatives who served there. Fifteen volunteers aged from fifteen to their early twenties are conducting the first interviews alongside research in archives at the Imperial War Museum, and it is hoped to involve a further forty volunteers over the course of the project. The Policy Research Centre at the Islamic Foundation at Markfield, Leicestershire is planning an oral history archive preserving the history of British Muslims. This aims to explore the process of settlement and experiences of the pioneering first generation who arrived in the UK from 1950-79. Volunteers have been recruited to make short films, conduct interviews in Arabic, Gujarati, Bangla, Urdu and Punjabi, edit video recordings, take photographs, and develop a website. The Policy Research Centre specialises in research, policy advice and training on issues related to British Muslims.


(Christina Raven-Conn)

Here at the Local Studies section of Nottingham Central Library we continue to support local projects, mainly with advice. We also continue to receive copies of oral history from local Nottingham and Nottinghamshire projects for archiving and copies for the library’s collection where possible.

As to current projects, the Hyson Green ‘On the Flats’ project has now been completed and a book produced and launched in April 2012. The launch was at Nottingham City’s Hyson Green Library on Gregory Boulevard, close to where the ‘Flats’ were located.

The Children of the Croft project has been successful with its bid to the HLF and has now started. This is the history of the Family First at The Croft, Nottingham from 1966 to 1975, managed by Now Heritage. Now Heritage is a Community Interest company formed to carry out oral history projects by Barbara Reed, based in Nottingham and her daughter Emma Golby Kirk, who lives in Bristol and has previous experience in media and oral history work. The Croft, Nottingham, a large house in Alexandra Park could house eight women and their small children at any one time. The project aims to interview the early members of staff of the Family First at the Croft. They have asked to deposit the results of the project, particularly oral history recordings with the Local Studies library. A group of their volunteers have had a short tour of the Local Studies library and commenced with their research there.
A group of Fine Arts students are currently working on a project about the Old Market Square, hopefully to create an audio guide, which includes oral history recordings from the present and the past. But this is still in its infancy so exact ‘angle’ not yet finalised. It sounds as though it could be really interesting.

Another project beginning in August this year, is to record the thoughts and memories of residents of the Lenton flats which are due for demolition shortly. The Dunkirk and Lenton partnership are carrying out this project.

East England Region Annual Report – 2013


Jonathan Draper

The Norfolk Record Office continues to support oral history projects in the county, by running basic training, lending equipment and acting as a place of deposit for recorded oral history interviews.

The projects which have been supported by the NRO reflect a diverse range of subjects and locations. They include St Seraphim Chapel in Little Walsingham who are collecting interview’s relating to Chapel’s life as a railway station and a centre for icon painting. Two other projects reflect the county’s maritime heritage. The Wherry Yacht Charter Charitable Trust and the Rescue Wooden Boats project were both seeking to interview those associated with building, maintaining and using different types of boats. The NRO has also supported young people from Norwich to produce a documentary regarding Norfolk’s Islamic community. Several Norfolk villages and towns have sought help with oral history projects. These include Shotesham, Aylsham, Thetford, Taverham and Hickling.

The NRO has also received several hundred recorded interviews. Again, the interviews relate to a wide range of subjects and Norfolk places. Subjects reflected in the interviews include the Agricultural Workers Union, Norwich’s Baedecker raids during the Second World War, archaeology and Norfolk’s black and minority ethnic communities. The NRO has also received several interviews of former players of Norwich City Football Club as well as non-playing staff and supporters.

The NRO has also received over a hundred interviews from the Norwich Living History group, which has decided to finish its activities. This organization has collected many life interviews of current and former inhabitants of Norwich. Another organization which operates in Norfolk, which has received support from the NRO, is the Wise Archive. This Norfolk based organization records and preserves the working life stories of people in the United Kingdom in order to recognise and value the contribution they have made to society.

The NRO has also contributed to a project entitled ‘Eighth in the East’ which has just received a grant from the HLF. The project aims to explore the impact of the United States Army Air Force’s Eighth Army in East Anglia during the Second World War through oral history, community archaeology, drama and local exhibitions.


Juliana Vandegrift

As a freelance oral historian I’ve been working as a project manager since October 2012 with Legasee Educational Trust for their 65th anniversary of the Berlin Airlift project. This has been successfully completed this October and I’m delighted to say we have recorded fifty interviews with British veterans of the airlift. The interviews are uploaded on the archive page of the Legasee website: Bungay High School was involved in filming some of the interviews with days organised at Duxford Museum and the Norfolk & Suffolk Aviation Museum. A celebratory event was held at NSAM for over eighty veterans and their families with a pop-up exhibition. This has been a wonderful project to work on and I’ve made some new friends with the veterans and their families! Some of their families weren’t even aware of their parent’s role in the airlift until we began this project and several veterans have passed away since we filmed them which makes their stories even more precious for their families and the archive.

My current project I’ve just begun working on this week is with Colchester and Ipswich Museum Service who are delivering a major Heritage Lottery funded redevelopment of Colchester Castle. One element of this redevelopment is to film ten oral history interviews with a range of individuals from the Colchester Garrison community, past and present. The museum will incorporate these into an interactive display which will enhance the displays in Colchester Castle which is re-opening in Spring 2014.

In the last year I’ve received general enquiries from fewer local history groups and museums seeking advice and guidance on which recording equipment is best for their purpose and which oral history elements to include in a bid for Heritage Lottery Funding.
However I have received requests to train oral history volunteers from local history societies and museums who have already been successful in their funding bid with Heritage Lottery. Examples of projects I’ve personally been involved with are:
Pascal Theatre: At the end of last year I was asked by Pascal Theatre to train a group of volunteers to record interviews with families of those connected to Trent Park in the Second World War, known as the secret listeners. (Background: Between 1942 and 1945 German Generals were imprisoned at Trent Park. British Military Intelligence spied on them to try and learn military secrets. Until now this has been kept top secret,

Little Waldingfield History Society was granted funding by Heritage Lottery to record memories of their village. In January I was asked to train their group of volunteers in an introduction to oral history interviewing and recording skills.
Ely Wildspace: A group of local campaigners for the protection of rural Ely secured funding for their wider project which includes an oral history project collecting memories of how the common was used within living memory and the changes to wildlife and landscape. The group asked me to hold a training workshop in June for a group of volunteers who are gathering the memories of local villagers.
Mildenhall Museum in Suffolk is managed by volunteers and they asked me to recorded some memories about one of their early founders and the archaeological finds in their area such as the Iceni coin hoard and the burial graves at RAF Lakenheath.
Cambridge University Press – is continuing with some new interviews and I’ve been editing the existing interviews from 2011 for their corporate archive.


Martin Astell

In November 2012 the University of Essex hosted two events as part of the Economic and Social Research Council’s annual Festival of Social Science. Both events offered opportunities for members of the public to share memories. One event – at which a number of interviews were recorded by Professor Paul Thompson – gathered information relating to the impact of the Marconi factory in Chelmsford. The other commemorated the 60th anniversary of the East Coast Flood of 1953.
November also saw the publication of The 1953 Essex Flood Disaster: The People’s Story, a book by local author Patricia Rennoldson Smith which was largely drawn from interviews with survivors of the floods.
Continuing with the sea theme, a number of interviews were recorded with wives of fishermen from Leigh on Sea. Extracts from the interviews were made available via a blog called “The Seagull That Lived in the Shower” [] which was created in March 2013 to mark International Women’s Day.

A number of projects in Essex have benefitted from grants awarded by the Heritage Lottery Fund. January 2013 saw the launch in Grays of the British South Asian Theatre Memories project. The Silver End Heritage Society has received funding for a project to record the experiences of those living, working and growing up in the village of Silver End which was designed to house workers at the Crittall windows factory. Essex County Fire and Rescue Service has been recruiting volunteers to assist with a project to record interviews with former fire-fighters as well as a number of people who have been affected by major fire incidents in the county.

A touring exhibition on the History of Jazz in Essex has been opened. This is the result of a project run by Essex on Tour, which is part of Essex County Council, in which nearly 50 interviews have been recorded with musicians, promoters and venue holders. The project began with sadness and a feeling of a missed opportunity as the first interviewee was to have been Kenny Ball who, unfortunately, died only a month before the project was ready to begin recording interviews.

The Essex Sound and Video Archive at the Essex Record Office has received £53,700 in development funding from the Heritage Lottery Fund for the You Are Hear: sound and a sense of place project. The project will aim to digitise and catalogue recordings held in the archive, focussing on collections of oral history interviews. This wealth of digitised recordings will then be presented in different ways, enabling Essex residents in particular to learn about, interact with and enjoy the recordings, helping them to use the sounds of Essex people and places over the last 100 years to develop or enhance their sense of place.

Report uploaded by: Juliana Vandegrift

East England Region Annual Report – 2012


(Carmela Semeraro)

This year will go into history as the year when Bedford Museum building work came to an end; the builders have finally left! We have a new name: The Higgins Art Gallery & Museum, Bedford. The fitters are in now and then it will be our turn to move in and start to put up the displays in our fantastic new galleries…

Oral history will feature in a number of ways:

  • Lace maker gallery: the 100s year-old local rural cottage industry which lasted up to the 20th century.
  • Brickwork industry: the biggest in the world! From Changing Landscapes Changing Life Oral History Project at the Forest of Marston Vale
  • Other Oral History recording from the local great industrial past
  • New Communities: this from the latest recording I have done with the younger new migrants from former Soviet Union states.

Possible new Oral History projects from local groups that I am helping and supporting in delivering:

  • The retired Nurses from Caribbean islands (awaiting funding); this could lead into a community Exhibition at The Higgins.
  • Project by Save Your Rights: Tying the Knots – Past and Present, funding pending.

One of the exhibitions will be the “Peoples Gallery” which will reflect on the multicultural aspect of Bedford from the 1940s and ’50s based on local Oral History recordings.


(Jonathan Draper)

Enthusiasm for oral history interviewing in Norfolk continues. Advice on all aspects of oral history interviewing has been given to a variety of groups and individuals.
Following some basic training at the Norfolk Record Office, students at the University of East Anglia have begun a project to interview people with a connection with the University in preparation of its 50th anniversary in 2013. A project to interview those involved in the management of fenland around the Little Ouse on the Norfolk’s border with Suffolk is nearing completion. Dragon Hall’s King Street Community Voices project has now come to an end. The resulting interviews reflect this road’s importance as once being the location of several industries, including brewing, shoe making and milling. Support has also been given to Wymondham College in its efforts to create a heritage trail around its campus, which will be based on oral history interviews. The College has identified interviewees who remember the College’s role as a military hospital for the United States Army Air Force during the Second World War. Basic training has also been given to volunteers at Swaffham Museum and the Aylsham Heritage Centre.
Support has been given to a group of young people who are making a documentary on Norfolk’s Islamic community. During the early 1970s, a community of converts to Islam moved to Wood Dalling Hall in Norfolk before settling in Norwich.
Some interviewing has taken place as part of SeaChange Arts’ Bread and Circus project which relates to the history of the circus in Great Yarmouth. Advice has also been given to the Wherry Yacht Charter Charitable Trust, who hope to interview people who remember wherrys being used for commercial purposes. Advice has also been given to an organization whose aim is to conserve wooden lifeboats. As part of this work, they are interviewing those who constructed, repaired and used these boats.
The Norfolk Sound Archive has received several collections of oral history interviews during the last year. These include extensive life history recordings of people from Great Yarmouth and Wymondham as well as several rural locations throughout Norfolk. The Norfolk Sound Archive also received a series of interview relating to Norwich’s nightlife in the 1960s; Great Yarmouth and the North Sea oil and gas industries; council housing in rural Norfolk; land management in the Little Ouse headwaters area on the Norfolk and Suffolk border; and or archaeologists working in Norfolk. The Norfolk Sound Archive has received a large amount of interviews carried out by the Norfolk based Wise Archive who interview people about their working lives. Furthermore, the Norfolk Sound Archive has received large collections of oral history interviews relating to Norwich which were carried out by Norwich Living History group and the HLF funded King Street Community Voices project.


(Juliana Vandegrift)

Palace Voices is an oral history and interpretation project funded by the Heritage Lottery Fund and the National Horseracing Museum in Newmarket. Volunteers at the NHRM recorded living memories of people who have direct associations with the local racing industry and in particular with the historic Palace House Stables and former training yard. So far 16 people have been recorded, including former stable lads.Legasee Educational Trust has received funding from the Heritage Lottery Fund for The British Berlin Airlift Project which is based in East Anglia. Led by veterans of the airlift and working with young people, the project will focus on capturing the stories of 50 veterans of the airlift on film, culminating in an exhibition celebrating the 65th anniversary of the airlift, which will open to the public in August 2013.From time to time I receive enquiries for advice on setting up an oral history project and the budget required. However, these enquiries are most often nationally based and not from Suffolk and I’ve never received feedback if their funding applications were successful.


(Martin Astell)

Colchester and Ipswich Museums Service and Epping Forest District Museum are working together on a project to record interviews with members of the Chinese communities in their respective areas. A touring exhibition of artefacts called China in the East will be used to prompt memories and stories from different generations of the Chinese communities. The recordings will be preserved at Colchester Castle Museum, Epping Forest District Museum and the Essex Record Office.
Essex County Council Arts Development and Heritage Teams have been working to deliver Team Hadleigh, an ambitious Heritage Lottery Fund project. The project was inspired by Hadleigh being chosen as the venue for the 2012 Olympic Games Mountain Biking event. It sought to engage a wide range of communities with their local heritage through several interlinked activities, and to provide resources relating to the history of Hadleigh for the many people visiting the area for the first time as a result of the Olympics. The results included a mobile web app and audio guide featuring local people speaking about the area and their memories of Hadleigh, and an interactive video booth at the Mountain Biking venue which allowed visitors to capture their experience of the event. The audio and video content created by this project will be deposited in the Essex Sound and Video Archive.
An oral history group has been established in the village of Littlebury with support and guidance from the Essex Record Office Archive Access Point in Saffron Walden. This is one of a number of active local groups in the north west of Essex.
The Essex Sound and Video Archive has received a collection of 42 cassettes of interviews with residents of the village of Castle Hedingham. The interviewer sought advice from me only at the stage of depositing the recordings, but was able to go back to the interviewees to discuss with them the future of the recordings and to ask them to sign copyright release forms. The Archive itself has been able to arrange the recording of two interviews: one with a lady who worked for Naval Control on Southend Pier during the Second World War; and one with a major figure in the development of Ju Jitsu in the UK.Report uploaded by: Juliana Vandegrift

East England Region Annual Report – 2011


Carmela Semeraro

A big hurrah! After nearly 100 years, Bedfordshire & Luton Archive Service have accepted the first complete digital Sound collection of oral history recordings, from the “Sands of Time” project about Leighton Buzzard’s Sand industry, with associated digital photographs, transcripts, summaries and related historical documents which I collected for the Greensand Trust, funded by the Heritage Lottery Fund. This makes me very happy because finally all the “Sands of Time” material will be available world-wide on the net at:

My part-time work at Cecil Higgins Art Gallery & Bedford Museum as Community Historian for the Audience Development Project, funded by HLF, is taking me in all sorts of different directions to establish partnerships, including some hard-to- reach groups to promote inclusion through Oral History. Here are just some examples:

  • Contributed with Bedford Central Library & Team of Volunteers to the “High Street” BBC project. Sound extract from interviews on Blog on:
  • Kempston History Society, charting the development of an ancient, Saxon settlement. Interviews with members about their research will be collected and archived at the Museum.
  • Bedford Retirement Education Centre’s collection of life stories from participants of the ‘writing biography’ course.
  • Sheltered Homes snapshots of memories from people on the edge of dementia to be published with their photographs.
  • Bedfordshire Carers organising Art & Photography classes culminating in an end of term exhibition of work from Family Carers, who also participate with their life story to our collection of archived digital interviews.
  • Bedford African and Caribbean group: BACF Commonwealth Connection Project enabling young people to learn about their origins and to take an active part in community life by doing oral history interviews to be deposited with Bedford Museum.

My role is to support and train diverse groups to do interviews enabling us to add to the archive collection of oral history interviews, covering multiple aspects of the social history of the Bedford and its surrounding villages from agriculture to the industrial past to present present-day work. Some of the material will be used in future exhibitions for the opening of the refurbished Cecil Higgins Art Gallery & Bedford Museum. An exhibition in the “Peoples Gallery” will reflect on the multicultural profile of Bedford Borough.


Jonathan Draper

The Norfolk Sound Archive, which forms part of the Norfolk Record Office, has continued to work with several groups and individuals who are carrying out oral history project work throughout the county. A lot of the support relates to equipment, permission forms and basic interviewing technique. Many of these partnerships have led to the deposit of recordings with the Norfolk Sound Archive.

A colleague within the Norfolk Record Office has begun interviewing members of the Jarrold family to compliment a project to catalogue the records of Jarrold and Sons Ltd, printers, publishers and retailers of Norwich. I have continued to advise True’s Yard Museum in King’s Lynn on oral history matters. We have helped Gressenhall Workhouse and Farm Museum with a new permanent exhibition on the Land Army and Timber Corps which is based on oral history recordings. We have given basic advice to a team of students at the University of East Anglia who are interviewing people regarding care of the elderly in Norfolk. Other groups which I have helped include the Dragon Hall King Street Community Voices project, which is based in Norwich; West Somerton History Group; a local history group in Happisburgh supported by Norfolk Landscape Archaeology’s Coastal Heritage Project; the Barton Turf, Irstead and Neatishead oral history group; and representatives from the Little Ouse Headwaters project.

On-going work which the Norfolk Sound Archive supports includes the work of Norwich Living History group, the Wise Archive and the Great Yarmouth Voices Project.


Juliana Vandegrift

Similarly to other posts in this report, I too have had several enquiries during the past year on how to put a funding proposal together for HLF oral history projects – or sections of a HLF project requiring an oral history element – for projects involving schools and volunteers in the community. Of half a dozen enquiries I’ve had one group respond with feedback of successful funding.
During the past twelve months there have been a several requests to deliver training courses on how to do oral history which have been spread across Norfolk and Suffolk.
One of the new Continuing Professional Development Workshops for oral historians was delivered in July at the University Campus Suffolk (UCS) and there was a keen interest to hold another one in the Spring.
And for my own personal projects I’ve delivered nearly 40 interviews for Cambridge University Press with former employees of the last fifty years of so. The recordings are for their own archive and corporate museum which is launched this autumn. It’s hoped that a second phase will go ahead next year after April, depending on budget approval.


Martin Astell

This year has seen sterling work carried out by Colchester Recalled volunteers in digitising their many cassette tapes. It is expected that all of the recordings – well over 2,000 of them – will be digitised by the early part of 2012. In addition, they are hoping to complete the task of creating word processed summaries for all of the tapes in the summer of 2012.
Thanks to a grant of £48,700 from the Heritage Lottery Fund, the Essex Record Office and Essex County Council Libraries have been able to support volunteer groups in Wickford, Hadleigh and Thundersley, Billericay, Benfleet, Laindon and Rochford District as they set up ‘Community Archives’.  After many months of hard work, each of the six groups now has an attractive and fully functioning website.  The websites have had visits from people across the world, some of whom grew up in south Essex but have since moved on. Part of the project involved members from each of the groups receiving training in oral history techniques and procedures. As you would expect with groups of volunteers, some have taken to it more than others. Members from the Hadleigh and Thundersley group have used what they learnt to contribute a number of interviews to the MLA’s People’s Record project. These recorded local people’s views on the London 2012 Olympics mountain biking event which is to take place in Hadleigh.
The Essex Media Workshop has completed an HLF- funded project to gather testimony relating to the Home Guard and Civil Defence during the Second World War. The project has resulted in a DVD entitled Defence of the Home Front. This is a follow-up to their previous project which produced a DVD called Those Blessed Girls featuring former members of the Women’s Land Army.
Another impressive DVD – Colne Maritime – has been produced by the Colne Oral History Group. It uses a combination of oral history interviews on video, archive photographs and specially filmed video sequences to tell the stories of boat building, fishing and yachting in Brightlingsea and Rowhedge in the River Colne estuary. In addition to the main feature, it includes additional extended sections and a separate short film on the almost forgotten art of Punt Gunning. The DVD is an Ariège Arts Production for the Colne Oral History Group Project.
The Essex Sound and Video Archive has received oral history recordings from Elsenham Village History Society and a project led by the sound artist Damien Robinson at Southend High School for Girls. We are also providing assistance to the Silver End Heritage Society which is in the early stages of planning a project to record residents of the art deco model village built by the businessman Francis Crittall

Report uploaded by: Juliana Vandegrift

Call for papers: International Girl Studies Inaugural Conference

Call for papers: International Girl Studies Inaugural Conference. Norwich

University of East Anglia, Norwich, 7 – 9 April 2016

The inaugural conference of the International Girl Studies Association aims to bring together researchers and students working on girls and girlhood in any part of the world and in any discipline or interdisciplinary field. Girl Studies has become one of the most dynamic academic fields in recent years, encompassing a vast array of disciplines and interdisciplinary approaches. This conference will bring together scholars from across the world to explore experiences of girlhood and recent developments within the field, investigating new questions and revisiting historical issues. Some of the key issues in girls’ studies will be addressed through individual and panel presentations. The Association is keen to move beyond the traditional conference format and has encouraged collaborative work, creative, visual, screenings and performance based work. Proposals have also been invited from individuals working in collaboration with girls, the community and partner organisations.

Confirmed Keynote Speakers are Professor Catherine Driscoll (University of Sydney, AUS); Professor Christine Griffin (University of Bath, UK); Professor Mary Celeste Kearney (University of Notre Dame, USA); and Professor Rozena Maart (University of KwaZulu-Natal, SA). Topics may include histories of girlhood; global girlhood(s); queer girls;  intergenerational girlhoods; methodological approaches to girls’ studies; girls and sport; girls and politics; girls and digital media; girlhood during austerity; girls and sexuality; and ethnographies of girlhood.

Further details: email

More information about this article can be found at: this link.

Call for Participation: History From Elsewhere

History From Elsewhere: The Use of Archives and Recollection of Memory

Digital platforms have become a popular mode for community organisations and individuals from minority backgrounds to use their version of events and history to recollect memory and reimagine their heritage. Equally, heritage organisations are broadening their collections to meet the needs of a wide range of communities in order to promote an inclusive heritage. Yet such platforms also bring out new challenges and questions – Does the separation of space between the community organisations/individuals and heritage organisations reinforce marginalisation of minority history? And given the diversity that exists within the communities in Britain, what kinds of framework are being employed by heritage organisations to ensure that their collections are truly representative and democratic? This Symposium aims to explore the possibilities and also the pitfalls of using local and national archives in recollection of memory by minority and marginalised communities.

Call for Participation

The London Metropolitan Archives (LMA) will be holding a symposium to provide a platform to discuss a ‘history from below’ approach in recollecting memory. The aim is to explore ways that can make engagement with archive institutions more inclusive, democratic and ethical. We are looking for participants to engage with LMA collections related to minority communities/ invisible voices; and submission of papers from Post-graduate students, academics and heritage practitioners, related to archives and minority community history and/or history of marginalised sections of communities in Britain.

In the past three decades there has been a debate between the postmodern cultural theorists and the heritage sector over the power held by archives as institutions. Archives are seen as not only being able to wield power over the shape and direction of historical scholarship, collective memory, and national identity but also over how we know ourselves as individuals, groups and societies. The introduction of digital discovery tools and mass digitisation and online delivery of contents has provided the platform to democratise the experience and interpretation of heritage collections, however the inclusion of minority heritage and the accommodation of minority conception of national heritage requires further exploration. The post-colonial heritage theory suggests that individuals belonging to a national community have different experiences to the same past and do not share an identical memory related to the same spaces, places and events and therefore conceive their heritage through multiple frames of reference. The symposium therefore aims to explore the way archives are accommodating the multiple frames of conception of the past and also discuss the challenges in making archives more accessible, engaging and inclusive.

The Symposium will take place on 18 September 2015 at The London Metropolitan Archives.


Recollection of memory in shaping Identity and sense of belonging

Our Collections:

We have collections related to various communities whose voices are often missing from the national narratives. These collections include materials that were deposited by community members and organisations which include materials related to civil rights and human rights activists, oral history and publications. We also have collections from government bodies such as Greater London Authority and from the media related to campaigns and activism, workers’ rights, and minority communities.

How to Apply:

The symposium is seeking participants to:

1.Engage with LMA collections and share their reflections in how using LMA archives can recollect/reinvent community memories. To apply please email an ‘Expression of interest in participation’ explaining why you would like to get involved and which collection you would like to explore.

Please email:

(A document viewing event will be organised to explore the materials based on the interest expressed) For more information about our collections please visit our online catalogue via the link below.

Below are some examples of collections held at LMA:

a.Chinese Oral History project

b.Paul Robeson

c.Holloway women’s prison

d.Jessica and Eric Huntley collection

e.Limehouse oral history project

2.Postgraduate students of heritage/history, heritage practitioners and academics to present their paper in promoting minority history through archives/ role of archives in promoting ‘history from below’.

We are inviting paper suggestions of 300 words for 20 minute presentations.

At the symposium the participants will be given 20 minutes to present their research. The symposium will include a panel from various archival and cultural organisations.

Deadline for submission: June 12 2015

Contact the list owner for assistance at ARCHIVES-NRA-request@JISCMAIL.AC.UK

For information about joining, leaving and suspending mail (e.g. during a holiday) see the list website at

More information about this article can be found at: this link.

OHS calls for projects to sustain wages of oral historians


Over the past few, difficult years many people have experienced wage freezes and cuts to their working hours. The OHS is keen to protect the, often already low, wages of oral historians from further reductions.

If you want to set up an oral history project that will employ staff on either a salaried or a freelance basis, then please refer to the HLF guidance on minimum rates of pay. This can be found at: and at the link below.

In summary, rates of pay for your project employees should be within the scales outlined below. These apply whether you are funding the project yourself or applying to an external funder.

Salaried positions

Remember, you will need to add on-costs for salaried staff:

Project Managers: £28k – £38k

Interviewers / fieldworkers: £24k – £30k

Archivists: £23k – £30k

Admin / clerical support: £18 – £25k

Technical support: £18 – £28k

Education officers / cataloguers / web authors: £20k – £33k

Day rates

Exact rates will be dependent on experience. The figures below reflect the minimum recommended rate.

Freelance Oral Historian/ Project Manager: £175

Outreach / educator / artist: £150

Evaluator: £250

Documenting / archiving: £300

Transcription services: £15 – £20 per hour

Translation services: £50 per hour

Please note that organisations may not be able to afford these recommended day rates if they are employing a freelancer for a longer period. In these situations we suggest that you take into account both your usual daily rate, and the pro rata salary that the organisation would offer an employee at a similar level. Many organisations base such negotiations on the calculation that a full time, salaried member of staff works an average of 220 days per year.

If your grants officer questions your proposed salary scales, please refer them back to the document signposted above on the HLF website. It is not in the interests of the profession to depress rates of pay in order to force grant applications through.

These figures are accurate on the date of publication, May 2015.

More information about this article can be found at: this link.

Article submitted by: Sarah Lowry

USD School of Law Announces Release of ‘Judicial Voices Project’ Website

Oral Histories from South Dakota’s Highest Bench

The University of South Dakota School of Law and the South Dakota Supreme Court have created a website that provides written histories and video-recorded oral accounts of the state’s highest court.

The site,, entitled “Judicial Voices Project: Capturing Histories of the South Dakota Supreme Court on its 125th Anniversary,” includes the most comprehensive research on the court ever done as well as a collections of video interviews with current justices, some retirees and others familiar with the Supreme Court.

The effort was the product of conversations between Chief Justice David Gilbertson, the court’s historian, and John Glover, recent Bush Foundation Fellow and long-standing professor at Black Hills State University, who was at the time associate dean of the University of South Dakota School of Law.

“Similar approaches have taken place with other courts, although such recorded oral histories are far less frequently occurring than one might expect,” Glover said. “As the Chief Justice pointed out, the most notable example of such interviews involved the U.S. Supreme Court in a project through C-SPAN. Additional examples can be found involving the courts in a half a dozen states including California, Kentucky, New York, New Hampshire, Texas and regional neighbor Minnesota.”

Judicial Voices was initiated by a seed grant awarded by the South Dakota Humanities Council in the spring of 2014. Additional support and funding came from the USD School of Law and Dean Tom Geu, the Unified Judicial System, the South Dakota Bar Association and the Woods, Fuller, Schultz & Smith law firm in Sioux Falls. South Dakota Public Broadcasting provided technical assistance. The project team was managed by Native Educational Endeavors Inc., directed by Glover and included Chief Justice Gilbertson, Dean Geu, Richard Gregerson, Web specialists Beth Aaker and Annie Woodle, editors Prairey Walkling and recent USD law graduate and attorney Kelsea Kenzy Sutton, and videographer Shane Artz.

Questions, comments and additions can be sent to Glover at or (605) 580-0941 (605) 580-0941.

More information about this article can be found at: this link.