Scottish Oral History Centre
Angela Bartie & Arthur McIvor
Scottish Oral History Centre
2013 has been a busy and exciting one for the Scottish Oral History Centre. We formally launched the new Centre facilities on 29 April, with an afternoon of workshops led by community groups and museums that the SOHC has worked closely with. Diane Grey from the HLF also provided a talk on funding opportunities and held a networking session thereafter. The evening was opened by David Goldie (then head of the School of Humanities, in which the SOHC is based), followed by short presentations on the history of the Centre by founding Director Callum G. Brown and the current work of the Centre by current Director, Arthur McIvor. The main event was a public lecture by one of the global pioneers of oral history, Paul Thompson. This was a great way to open the new facilities and inaugurate a new phase in the work of the SOHC. Furthermore, we are also delighted to welcome our newest member of staff, Erin Jessee, who works on the oral history of post-conflict Rwanda and Uganda and is experienced in the use of digital media in oral history.
Staff have continued to undertake oral history in a number of projects in different areas alongside ongoing training and support to a range of community and heritage groups in the greater Glasgow area, Current staff projects include the Wellcome Trust funded coalfield disability project (McIvor; and Angela Turner), the AHRC-funded wartime Reserved Occupations oral history project (Juliette Pattinson, who has recently taken up a new position at the University of Kent, McIvor and Linsey Robb), the AHRC-funded historical pageantry project (Angela Bartie in conjunction with colleagues at King’s College London and University of Glasgow), the British Academy/Leverhulme-funded residential childcare services project (Bartie, with Social Work colleagues Andrew Kendrick and Julie Shaw). We are also delighted to welcome two full-time ESRC PhD students: Andrew Clark and Aimee McCullough (supervised by McIvor and Bartie respectively). Andrew will be working on the female factory occupations of the 1980s, whilst Aimee’s research project is on fatherhood and masculinity in Scotland, c 1970-1990.
The SOHC has continued providing CPD and training to external non-SFC funded groups, including a series of commissions from Heritage Lottery funded community oral history projects at Govanhill, Paisley, Pollok, Inchinnan, British Waterways (Maryhill) and Scottish Opera (Theatre Royal), Glasgow. This work is led by Susan Morrison and David Walker with training taking place in the new SOHC facilities in Curran as well as in the communities. The SOHC has also ventured into the world of business undertaking oral history projects for the Clydesdale Bank and Inver House Distillers These have both been led by David Walker.
Scottish Oral History Centre
(Angela Bartie & Arthur McIvor)
This has been a very productive year for oral history in Scotland and for the SOHC. An important development has been the move of the SOHC to purpose-built facilities at the University of Strathclyde (a formal re-launch is planned for January 2013). This includes a training lab, archive, and Special Projects, interview and editing rooms. This substantially improves the capacity of the Centre to deliver oral history training and will operate as a hub for community and academic oral history projects, as well as our seminar series.
We were delighted to welcome Dr David Walker to the post of Research Coordinator, Dr Susan Morrison as a Research Associate and to see Dr Angela Bartie secure an open-ended lecturing contract. These colleagues bring a wealth of oral history experience to the Centre. Another staff member, Dr Andrew Perchard, was appointed to a permanent lectureship in the Business School at the University of Strathclyde. The Centre also hosted Professor Steven High, Director of the Centre for Oral History and Digital Storytelling, as a Visiting Professor, for two months in March-April 2012.
Amongst ongoing research work at the SOHC are projects on youth gangs (Bartie), the arts scene in 1960s Scotland (Bartie, with Eleanor Bell, English Studies), on working lives (Walker and McIvor), on the First Aid Nursing Yeomanry (Pattinson) and on Forensic Science (Walker). Andrew Perchard’s work on the Aluminium communities in the Highlands has culminated in the publication of the impressive Aluminiumville in 2012. The Centre recently completed AHRC-funded work in collaboration with Glasgow Museums on work-life oral histories in the city (Walker and McIvor), including the digitisation of the 2000 Glasgow Lives collection. This wonderful resource has now been made much more accessible. Pattinson (PI) and McIvor (CI) have also recently been successful in securing a major AHRC Research Award to undertake a large-scale oral history project on the wartime Reserved Occupations in the UK. Dr Linsey Robb has been appointed as Research Associate and work will start in earnest on this project in January 2013. The Centre was also awarded money from the Hudson Trust to host ‘Our Secret War’, a collection of interviews conducted by Martyn Cox with resisters and Home Front personnel, whilst Pattinson and Prof. Rod Kedward (Emeritus Professor at Sussex) are currently compiling an inventory of Anglo-French Resistance oral testimony.
Our postgraduate community also continues to grow, and there have been three outstanding PhD submissions in the past year by Fiona Frank (on the transmission of Jewish identity through close study of several generations of the Hoppenstein family), Linsey Robb (cultural depictions of British working men, 1939 – 1945) and Alison Chand (Glasgow in wartime, 1939-45). Our teaching of oral history has also expanded, with two new oral history theory and methodology courses at Third Year and Honours levels introduced in 2012. The latter is an innovative ‘Work Placement in Oral History’ class which locates students trained in oral interviewing in local museums and archives.
Outside the SOHC, oral history has also been thriving, with a vast range of local, community and academic oral history projects up and down the country. For example, the Scottish freemasonry movement has a major oral history project underway, whilst the Scottish Council on Deafness finished its HLF oral history project in 2012 on the deaf community, with the production of four outstanding DVDs. A Stakeholders Group has also been established to investigate the viability of a National Sound Archive for Scotland and they are currently undertaking an audit of oral history resources across the country. New community oral history projects have also been initiated at Govan and at Govanhill in Glasgow. The latter (coordinated by Dr Susan Morrison) is a major HLF project ambitiously aiming to interview over 200 local residents from a wide range of ethnic backgrounds (over 50 different languages are spoken in Govanhill). The SOHC are providing extensive oral history training for the local volunteers. With the new SOHC facilities at University of Strathclyde we are looking forward to developing these community-academic links and expanding our activities even further in the years to come.
Scottish National Sound Archive
The most important activity in oral history in Scotland this year has been the announcement of government funding for a Scottish National Sound Archive Pilot scheme.
First Minister, Alex Salmond, announced in July that the National Library is to receive £100,000 for sound archiving development.
NLS will work on an archive pilot with Skye-based digitisation project, Tobar An Dualchais/Kist O Riches. This is a collaborative project which was set up to preserve, digitise, catalogue and make available online several thousand hours of Gaelic and Scots recordings. The website contains a wealth of material such as folklore, songs, music, history, poetry, traditions, stories and other information. The material has been collected from all over Scotland and beyond from the 1930s onwards.
The recordings come from the School of Scottish Studies (University of Edinburgh), BBC Scotland and the National Trust for Scotland’s Canna Collection. Martyn Wade, National Librarian and Chief Executive of NLS, said of the funding announcement:
‘The National Library welcomes this support from the Scottish Government and looks forward to working with Tobar an Dualchais to pilot a national sound archive for Scotland. The Library’s work already includes the popular Scottish Screen Archive collections and therefore we are excited at the opportunity to expand the national collections to cover sound as well.’
Stakeholders are meeting regularly at the moment to develop the project.
Some interesting oral history projects include: Celebrating Potential
Breadmakers Rise To The Occasion: Provost Approves
Garvald Edinburgh, well known in the Lothians for its Bakery, run with workers with learning disabilities, launched an exciting new initiative in August.
With finance from the Heritage Lottery Fund, the Celebrating Potential Project will enable Garvald’s Members and Tenants to research and record their own histories and that of the organisation.
In an endeavour to blend their traditional arts and crafts, such as pottery, glasswork, joinery and puppetry, with the recorded histories and modern technologies, Garvald’s project will create an ambitious legacy to communicate with the wider public.
The Lord Provost of Edinburgh, the Rt. Hon. Donald Wilson, who officially launched the project at Orwell Arts Centre, commented,
“I’ve been familiar with the work of Garvald Edinburgh and the vital service they provide for many years and I’m delighted that, through this innovative project, the wider public will have an opportunity to see just what a wonderful job they do.
“As someone with a strong interest and background in technology, I was fascinated to learn about the plans to use contemporary technology to communicate the outcomes of the project.”
After recruiting volunteers and recording histories over the next year, the subsequent outcomes will celebrate the individual experiences that make up the story of Garvald Edinburgh.
- An exhibition of art and craft work where each piece contains a QR code. When scanned with a smartphone, the object will act as a portal to see a video of the people who made the object and hear their stories.
- A web based archive, to preserve and store the material generated by the project and have the audio, video, photographs and transcriptions available in an easily accessed online format.
- A publication documenting Garvald Edinburgh’s history, distributed to Primary Schools and contributing to the Curriculum for Excellence Scheme.
- A film, edited from material collected and recorded over the year, building on the organisation’s award winning Breadmakers documentary.
Noting The Tradition
The National Piping Centre has received support from the Heritage Lottery Fund to undertake an oral history project called “Noting The Tradition”. This will involve undertaking oral history interviews with people who have been involved in piping at all levels and all over Scotland in the past 50 years.
The project is looking to recruit volunteers from all over Scotland to undertake at least one interview to contribute to the project. Volunteers will receive training in oral history methods and protocols, as well as handling digital recording equipment and formatting the files for upload to the Noting the Tradition website.
The National Piping Centre Principal, Roddy MacLeod, commented, “This is an exciting project which will add to the historical and heritage resources available to researchers and members of the public interested in the history of piping. It also offers the opportunity to become involved in the creation of an important and lasting resource telling the story of Scotland’s iconic instrument, the Great Highland Bagpipe. We hope that you will be inspired to join us in this vital heritage work.”
This is an HLF funded project looking at migration to and from the Inverclyde area over a 200 year period. Working closely with schools and local volunteers, the project has produced a number of exciting outcomes, but at its core is a web archive, holding oral histories, audio, video, images and documents which have been collected over the past year.
The OHS and the British Library training course on the Introduction to Oral History, was held again in the North West at the Ahmed Iqbal Ullah Race Relations Resource Centre at the University of Manchester, which is 5 minutes from Manchester’s Piccadilly station. The Centre’s Oral History Project on ‘Yemeni Roots, Salford Lives’, funded by the HLF to collect life story interviews and documentation on the Yemeni community in Eccles, was completed in December 2012. 22 life story interviews were recorded and the project also involved arts reminiscence and youth projects utilising other methodologies. The recordings are archived at the Centre. A community website, www.yca-manchester.org.uk, contains text and sound extracts from the interviews collected.
The Centre is also participating in an interdisciplinary project between the University of Manchester’s department of Archaeology, the Manchester Museum, the Whitworth Art Gallery, and the Friends of Whitworth Park looking at the history and development of Whitworth Park, which was opened in 1890. The project’s many outputs include archival research, archaeological digs, poetry workshops for school children, as well as oral histories. The archaeological digs have been taking place and Vox Pox interviews have been recorded during park Open Days, giving a glimpse of the many personal memories that local people have of this space. The Oral History element of the Project is yet to start but preparatory work has taken place with a template being devised, using the innovative mind mapping tool; the KETSO, © University of Manchester, which helped to identify the most important themes. Of particular interest to the Centre will be how the changing communities in the vicinity have been reflected in the park. Anyone with memories of the Park should contact email@example.com. And the project’s blog at: whitworthparklife.wordpress.com/ will show how the project is progressing.
Oral History Training Sessions were held with the Working Class Movement Library in Salford which has launched an Oral History Project ‘Invisible Histories’, recording the memories of people who worked at three Salford workplaces. The three workplaces were chosen as a microcosm of the diverse range of industry once based in Salford. They are Agecroft Colliery, which closed in 1991, Ward and Goldstone’s engineering factory, at one time Salford’s largest industrial employer, which closed in 1986 and Richard Haworth’s mill, which existed for around a century from the 1870s on Ordsall Lane, near what is now Salford Quays. To date the project has conducted 22 interviews with people who worked at these three sites.
In an effort to bring these memories to a wider audience, the Working Class Movement Library has been working in association with teachers and Year 9 students at Buile Hill Visual Arts College to produce a podcast, linking people’s actual words with music and song. They will also contribute to an exhibition and work with a musician and creative practitioner to produce a Radio Ballad, based on the memories and stories that have been collected. When the Radio Ballad is complete, it will be added to the project website http://InvisibleHistoriesProject.wordpress.com and disseminated as widely as possible. The project website includes the full interviews, summaries or transcripts for the interviews and themes will be added with accompanying interview extracts.
Participating in the Oral History Training was also a member of the Blackden Trust, which is aiming to create an archive of documents, photographs, oral histories and artefacts detailing the history of the ancient area of Blackden within the village of Goostrey in the depths of Cheshire. With the help of a group of volunteers, the trust organises events and workshops and hopes to uncover the stories, memories and half-forgotten lore associated with the area.
The OHS and the British Library training course on the Introduction to Oral History, was held again in the North West and is proving to be popular with full attendance and a waiting list. The course was held at the Ahmed Iqbal Ullah Race Relations Resource Centre at the University of Manchester and this location, which is 5 minutes from Manchester’s Piccadilly station, ensured easy access to attendees from the North West and beyond. The Centre itself has made good use of the course and is partnering a project ‘Yemeni Roots, Salford Lives’, which is collecting life story interviews and documentation on the Yemenite community in Eccles. To date 17 interviews have been recorded with 21 people and recordings will also be undertaken with young people. The recordings will be archived at the Centre. A website has been launched www.yca-manchester.org.uk. and two exhibitions will be held, one in October focussing on women’s memories and the other from Dec 15- Feb 17 showcasing the whole project.
The Caldwell’s Nurseries Oral History Project, for which I held a training course last year has been progressing well. The project has recorded and processed 17 interviews to date and it advertised its work by putting together a garden display at the Tatton Park Flower show. The project held a volunteer feedback session (to be recommended for all projects) which highlighted the benefits and challenges of oral history for the volunteers.
I am currently undertaking work on the Oral History Collection of the Manchester Jewish Museum helping to make it accessible to a wider audience. The collection of 519 interviews, many of them conducted in the 1970s and 1980s, is being slowly digitised and their summaries or transcripts are being timecoded.
Manchester’s 160 year old YMCA launched a sporting heroes oral history project in October 2011 to document the lives of members who have done well in sport through the YMCA sporting facilities. These include many British champions and Olympians over the last 50 years and players of the Manchester United Football team, who used the YMCA physical fitness training facility in the 1950s. Many of the athletes continue to train in the YMCA (some are in their 80s). 30 interviews have been undertaken to date. A mini exhibition was held in February/March 2012 during the Manchester Histories Festival and a full exhibition will be held in October 2012 and a book produced.
A short project incorporating oral history has been held from March – October 2012 on Worsley New Hall, a Victorian mansion which was demolished. Five interviews and other material are available on the University of Salford’s online Archive repository http://usir.salford.ac.uk/archives/ and an exhibition was scheduled for September.
The Irish Diaspora Foundation has continued its oral history work, undertaken by a team of volunteers at the Irish World Heritage Centre. Twenty interviews have been conducted in the past year either on a specific theme or with people who had an interesting story. Some of the interviews were incorporated into the oral history exhibition, which was part of the Manchester Irish Festival in March and will form part of the exhibition at the new Irish World Heritage Centre premises due to open in December.
In January a highly successful OHS Continuing Development Day was held at the People’s Museum in Manchester. Some thirteen people attended, not only from the north west but from south Yorkshire as well. The sessions were run by Stephen Kelly and Clare Jenkins around the theme of legal and ethical issues and touched on subjects such as sensitive interviews, interviewees divulging more than they had anticipated, libel and the Official Secrets Act. Attendees also talked at length about their own projects and debates that had arisen.
Manchester YMCA has now almost concluded its project on Sporting Heroes associated with their institution. The one-year project, funded by an HLF grant and run by Christine Gibbons, has been focused around Manchester YMCA’s Olympians and other major sporting personalities. These have included Manchester United players as well as world champion wrestlers, Olympic judo medalists and so forth. The project was formally launched a year ago at the YMCA’s Castlefield site in Manchester by guest of honour Sir Alex Ferguson, manager of Manchester United. During the 1940s, 50s, 60s and even into the 1980s Manchester United regularly used the YMCA. Also among the guests was Jack Crompton, an honorary member of the YMCA, and the Manchester United goalkeeper in the 1948 FA Cup final. Other guests included former Busby Babe and United manager Wilf McGuinness, plus a host of Olympians going back to 1956.
The project, which was planned around the London Olympics, was also represented in the Manchester Histories fortnight earlier this year along with an exhibition stand in the Town Hall. Students from All Hallows Secondary School in Salford and Manchester Metropolitan University as well as YMCA volunteers helped conduct interviews. A website has been set up featuring interviews with many of the YM’s sporting heroes, talking about their experiences of the YMCA as well as their sporting memories. A celebratory dinner is to be held in October to formally end the project.
The Swinton Lions Tales project continues to collect oral history recordings of players, fans and club officials as well as other memorabilia. The project, which was launched in 2011 and funded by the HLF, is expected to continue on a voluntary basis for a number of years.
The Chat Moss project which has been funded by an HLF grant, has also recently come to a close. The project focused on an area of land, close to the Trafford Centre in Manchester which was rich farmland for over 150 years but since the 1980s has gone into decline with only a handful of farms remaining. Memories of the area and the farms however remain strong and more than 20 interviews have been recorded capturing those memories. The project worked with local schools, producing a range of artistic endeavours around the recordings such as mosaics, paintings and even a puppet show. A book with the memories and photographs is due to be published shortly.
Another HLF funded project on the Bridgewater Canal continues. The canal, the oldest in the world, is celebrating its 150th anniversary. Volunteers have been collecting memories of the canal and a number of recordings have been made.
Kath Smith, Remembering the Past, Resourcing the Future
The past year has been a busy one for RPRF with continued and expanding interest in oral history as a medium for recording local history and for making it available to a wide range of audiences across North Tyneside and beyond.
The ‘Day at the Beach’ project, funded by HLF in partnership with North Tyneside VODA, was hugely successful and saw teams of volunteer oral historians co-ordinating a large scale memory collection exercise based on memories of the seaside. In a wonderful feat of organisation 24 older people were interviewed in a single day. The subsequent recordings were edited by the volunteers and uploaded to the RPRF archive site www.memoriesnorthtyne.org.uk. The recordings also formed the basis for a cartoon film script.
The partnership model worked extremely well for the ‘Day at the Beach’ project and we are delighted to say that it will be replicated in 2013/14 with a new project which will explore the heritage of the Shiremoor Treat. The Treat has been going for 107 years, providing a special day out for local children on the first Saturday of July. Oral history collection will form a significant part of the project as well as the production of a documentary film. An oral history training programme for new volunteers will take place and we’ll be working hard to find memories and memorabilia as part of a celebratory exhibition in July 2014.
The commemoration of the beginning of World War One is also a trigger for a look back at the direct impact of war on local life and we’re delighted that the Tynemouth World War One Commemoration project has included oral history as part of their remit as they research the Tynemouth Roll of Honour. The project has already drawn together family members to reflect on how their family history has been influenced by losing a loved one in the Great War. All of this material will be made available in time for the commemoration of the start of World War One in August 2014.
This is just a snapshot of the work going on in North Tyneside and new ideas are emerging on a regular basis.
If You Were Mine: A story of the North East by Liquid Theatre in association with Northern Stage.
Members from the Liquid Theatre Company spent the month of July 2011 in the North East interviewing local residents who were in their twenties in the 1950s. These interviews were used along with songs from the dancehalls and playgrounds to bring 1950s Sunderland to life. The play which combines kitchen sink naturalism with stylish theatrical storytelling will tour the North East region later this year before coming to London.
Barnard Castle School
Barnard Castle School celebrates its 130th anniversary next year and is planning a ‘memory lane’ project in order to bring their archive alive by engaging and recording their present and former pupils. The school is hoping to receive funding from the Heart of Teesdale Landscape Partnership.
Toon Times is a new Heritage Project that will focus on the rich history of Newcastle United Football Club and the impact it has on the North East and around the world. Funded by The Premier League Professional Footballers’ Association (PLPFA) Community Fund, Heritage Lottery Fund and in partnership with Tyne and Wear Museums, Toon Times aims to delve into the clubs past and capture history through the eyes of Newcastle United’s passionate supporters.
European Reminiscence Network
Reminiscence Theatre Archive
Greenwich University has accepted the archive of recorded and transcribed interviews and related theatre work created during my years as Founder and Artistic Director of Age Exchange Theatre Trust (1983-2005) In May 2012, I transferred all the surviving material relating to reminiscence theatre to the University. The archive consists of audio-recordings on key themes in social history of 20th century, including women’s war work. working life on the River Thames, inter-war housing estates round London, Health care before the NHS, Jewish East End and Irish memories, plus many more.
In many cases there are matching transcripts and accompanying photos. The scripts formed from these reminiscences are included, plus production photographs, tour schedules, press reports, etc.
The Archive and Students
The University is not only storing the archive, but actively working on it in various curriculum areas, especially Drama. For example, drama students have been exploring the archive as a source for new theatre productions.
Several of these productions have toured to local sheltered houses where they have been very well received. Here, a student records her pleasure in learning about reminiscence theatre and having a chance to play for older people.
Wioleta Pietrasik on participating in Reminiscence Theatre
Volunteering at university gave me an opportunity to work with archive material, which I have never done before. I read stories that were previously recorded and found it very touching. I had many ideas, which I used to work in my written work and created performances which brought those precious stories to life. Our meetings were full of energy; we improvised with the text, devised movement, decided on the order of the pieces and how to present them in an enthusiastic way, which did justice to the stories’ authors. At the end of the day these weren’t just stories, but people’s lives, or parts of them. Therefore I felt responsible for producing pieces which would not only have historical meaning but also an artistic outcome.
We were given a number of opportunities to present our performances to the audience at Care Homes and university meetings. After each performance we were given time to talk to elderly people, which was an amazing experience, as we could hear their response and feedback to our work.
A new website for the Reminiscence Theatre Archive is launched
During this last year, the University of Greenwich has facilitated the making of a website to reflect the depth and variety of material in the archive. The in-putting work has been conducted by Assistants from Poland, Finland and Spain, funded by the European Commission, and students of the university. The website was due to be launched on 23rd of May 2013 with a special event. Because of the murder of Lee Rigby outside the Woolwich Barracks, just round the corner from the Greenwich University Drama Building, this had to be cancelled at the last minute, which was very upsetting for all concerned. However, the site is now on-line and can be viewed at www.reminiscencetheatrearchive.org.uk
We shall have a belated official launch, together with performances of reminiscence theatre at the University of Greenwich on 26th June 2014, as part of the forthcoming conference “Remembering Yesterday, Caring Today” (see below).
European Reminiscence Network: Reminiscence in dementia care
This last year, we gained new EU Learning Partnership funding with partners in 8 EU countries to develop a new training and apprenticeship course in Reminiscence in Dementia Care. The project is called “Remembering Yesterday, Caring Today Training (RYCTT) and it runs for 2 years until July 2014. The partner countries are Germany, Spain, Czech Republic, Slovakia, Northern Ireland, France, Poland and UK. We also have 4 associate partners pursuing the same project in Finland, Netherlands, Ireland and Estonia.
There have been three international meetings of this Learning Partnership since my last report. The first was in Prague in November 2012, the second in Perpignan in France in April 2013 and we have just returned from Poznan, Poland. On each occasion, 6 or 7 of us have travelled to these countries to compare notes and catch up with partners developing the same project. This year I invited 2 post-graduates from Greenwich University, and again Wioleta Pietrasik has written about her experience of performing the piece in London and in Poland.
As part of one of my university courses I created a theatrical piece about the life of my grandmother. She was always my inspiration and role model and I have always wanted to create a piece of drama based on her difficult, but also beautiful life. She was an amazing story-teller and I gathered in my memory all those amazing things she told me, added her favourite poems, my favourite songs which she sang to me and cultural elements (such as use of different language) as my grandmother was Polish. My main interest was how dementia, which she suffered from, changed her as a person and what impact it had on her life when the symptoms started to show.
I really enjoyed working on the piece itself. It brought back happy memories and made me realize how similar we both were. I received fantastic feedback from my tutor and decided to present my piece at the European Reminiscence Network meeting in October, 2013 in Poznan (Poland). The meeting was about ‘Remembering Yesterday, Caring Today'(an international reminiscence project for people with dementia and their family carers) and I thought that my piece would fit in perfectly.
Unfortunately a few days before the conference my grandmother passed away. It was a very difficult time for my whole family and I travelled to Poland to attend the funeral. I decided I would still take part in the conference and will present my creative project as a form of tribute to my grandmother. I felt very vulnerable, but also felt like sharing my memories and stories with others as I thought it would help me go through that difficult time. The reception of my piece was over-whelming: everyone was very sensitive and kind and the feedback was amazing. At the end of the conference a few participants said that they found my piece the most memorable thing they will take away from the whole meeting. I am very humble and thankful and really hope I have done justice to my grandmother’s life.
In connection with this RYCTT project, we have piloted in London a 2-day training course based at the University of Greenwich, involving experiential and theoretical learning about Reminiscence in Dementia Care. This course is now being used and certificated across all partner countries. The apprenticeship scheme follows the training course with 10 weeks of involvement in reminiscence workshops with people with dementia and their family carers. This includes taking responsibility for leading sections of the workshops and writing an essay (or other form of submission such as a video diary) reflecting on learning achieved. Those who have satisfactorily completed these requirements receive an accreditation as facilitators of groups running reminiscence in dementia care. Across our whole partnership we hope to have 300 people trained and 100 people gaining accreditation via the apprenticeship scheme.
An International Conference on Reminiscence in Dementia Care
Our latest news is that we have been funded by the European Commission to run an international conference on Reminiscence in Dementia Care at the University of Greenwich on 26-27 June 2014. All our EU partner countries will attend and present their work, together with arts and health professionals from across the UK and well beyond. For further information about the conference, send off to Marta Moreno at this email address firstname.lastname@example.org or to me at email@example.com
RTRT: Remembering Together: Reminiscence Training for families living with dementia, supported by the EU. This Reminiscence Arts project has an international and a local side.
It is a development of the original Remembering Yesterday, Caring Today project which began in 1997 and has been running ever since across the UK and in several EU countries, and which continues to evolve. Over the last 18 months, I have been coordinating 11 partners in different EU countries following a joint project involving people with dementia and their family carers. In each country, groups of families have met over a 3 – 6 month period on a weekly basis to explore through reminiscence and related arts activities their own life stories. They have worked on a one-to-one basis, in small groups and as a whole group on a series of sessions covering major events in the life course. Partners in the international project have then shared their results in international meetings (N. Ireland, Finland, Spain and Germany) of the partners and through a dedicated website: www.rememberingtogether.eu
The London-based part of this project is also recorded on the illustrated website mentioned above. There have been 3 London-based groups, as follows: In Greenwich (in association with Woolwich Memorial Hospital) a group of Asian elders and their family and paid carers, working in 4 Indian languages and making a wall-hanging for their day centre with an Asian artist (I reported briefly on this project in the previous network report.)
In Westminster (in association with Westminster Arts) a mixed group of local families who then worked with 2 local artists on the making of personal cushions (involving drawing, photography and sewing)
In Camden (in association with Camden Carers) families met for a number of groups reminiscence sessions and then went on to make artistic end-products with artists, including memory boxes, life story books and embroidered collages, all of which were displayed at the project’s last international meeting in Kassel, Germany in June 2012.
Two further groups have run in Bradford and Carlisle and information on these is also available through the website www.rememberingtogether.eu
This project has just received a small amount of additional funding to further the work and train more group leaders. It is called RYCTT (Remembering Yesterday, Caring Today Training) and will run till June 2012.
We have started work, both locally and internationally, with a group of families established in Woolwich and an international meeting coming up in Prague to agree an international training scheme and an apprenticeship scheme to develop the work of reminiscence in dementia care in all participating countries.
Reminiscence Theatre Archive
Greenwich University accepts the archive of recorded and transcribed interviews and related theatre work: In May 2012, I transferred all the surviving material relating to reminiscence theatre created during my years as Founder and Artistic Director of Age Exchange Theatre Trust (1983-2005) The archive consists of audio recordings on key themes in social history of 20th century, including women’s war work. Working life on the River Thames, Inter-war housing estates round London, Health Services before the NHS, Jewish East End and Irish memories, plus many more. In many cases there are matching transcripts and accompanying photos. The scripts formed from these reminiscences are included, plus production photographs, tour schedules, press reports, etc.
The University is not only storing the archive, but actively working on it in various curriculum areas, including drama and media studies, creative writing, history and local studies, health and social sciences. For example, drama students have been exploring the archive as a source for new theatre productions. At the launch of the archive 3 of these short plays were performed by the students and will now be touring local sheltered housing units in the area and more are in preparation. Reminiscence Theatre will be incorporated into the curriculum and the oral history component will feature in the history syllabus. The University has recently launched its excellent oral history website reflecting wartime Greenwich memories. You can see it at www.memoriesofwar.org.uk
A website will be developed in the next few months, with support from the University history department, which will explain the website and describe its contents with short examples of oral testimony, reminiscence theatre scripts, photos and DVD recordings of shows. Students on drama and history courses will work on the site alongside assistants from Poland and Finland who are working with us through an EU scheme.
Museum of London
We have continued to build our oral history collection, adding new interviews ranging from people talking about the Occupy Movement in EC4, to the Manager of the Olympic and Paralympics Village talking about another temporary community over in the newly created postcode of E20.
We are also in the process of acquiring two new digital collections from two very different oral history projects. One reflecting the working life and governance of the Thames, and the other documenting the experiences of a river community living on historic boats moored on the Thames. These two collections will compliment existing historic recordings from our Port and River Collection.
We are now closer to completing our target for digitalising the entire oral history collection, ensuring its long term preservation and offering greater access for the future. In addition we are now constructing a Digital Collections Policy which will inform our work with all forms of digital media and collecting.
Collections Online database
The Museum of London launched a project early in 2012 to develop its Collections Online database where over 90,000 records will be available online.
The main focus of the work of the oral history team during this year has been to create records for oral history to feature in the Collections Online database. This will help to make the oral history collection more accessible to the public. At present researchers currently access the oral history collections directly via appointments, hand lists and analogue/ digital listening copies at the History Collections Department in the Museum.
Collections Online allows people to search across all our collections in one go. The content covers the 3,000 items on display in the Galleries of Modern London, but more will be added every month until the Museum’s entire collection are accessible through Collections Online.
We are in the process of creating a record of the London 2012 Olympic Games and Paralympics Games, looking at the impact of the Games and the legacy in the host city through oral history interviews and contemporary collecting.
In addition to reflecting the experiences and perspectives of Londoners from the Olympic Park area and its local communities, we aim to record the experiences and perspectives of people involved behind the scenes with the organisation of the Olympic Games and Paralympics Games as well as torch bearers, Games makers and elite athletes who have competed in the Olympic Games and Paralympics Games in London in 2012. The contemporary collecting will involve material objects such as an Olympic torch, costume items and ephemera relevant to this important event in the capital.
The Recorded Media Project
The Recorded Media Project continued apace at the Museum of London during 2011-2012. To date 70% of the cassette collection has been digitised which includes the London History Workshop Sound and Video Archive and the Museum’s Core Collection. Prior to digitisation cataloguing of the non-accessioned oral history interviews was conducted from paper documentation relating to the interviews. Now with the digital audio accessible, data cleaning and completion of cataloguing the interviews are preserved and accessible for future generations.
Bill Lowry will continue the work started under the Recorded Media Project of digitising the oral history collection and making it accessible via the Museum’s website.
Museum of London: Opening Up to Digital Environments
In April 2011 the Museum of London was delighted to be awarded a £13million Arts Council England grant, for a programme of work aimed at ‘Opening Up’ several strands of work across the Museum, including Archaeology, Communities and Partnerships and Volunteers.
Hilary Young has been appointed as the Museum’s first Digital Curator, and will work with Bill Lowry on the Museum’s Opening Up to Digital Environments. Hilary will conduct new digital collecting projects for the Museum exploring the potential to collect and display non oral history sound-based objects, film, social media and web based applications. It is an exciting time for the Museum as it explores a new area of collecting intangible objects that represent the stories and life of London.
Occupy Oral History and Creative Commons
Early in 2012 the Museum participated in discussions with Occupy Oral History at the Bank of Ideas in Finsbury Square and the Occupy Library at the St Paul’s camp. Capturing Occupier’s experiences of this contemporary protest presented an interesting challenge to the Museum who often works retrospectively with community groups to record their past histories. It also opened up debate within the Museum’s oral history group around recording oral history interviews with participants in current events.
The Museum was offered material culture objects from both the Bank of Ideas site and the St Paul’s camp including the Bank of Ideas banner and a woollen hat knitted by a pensioners group to keep Occupiers’ heads warm in the chilling winter months. These objects presented opportunities to record their owners’ stories and experiences of participating in the Occupy movement. The Occupiers have stated their wish for their interviews to be available under a Creative Commons licence. This presents a challenge to the Museum, which we are working through this at the moment. We hope to have records of the interviews available on Collections Online within the coming months.
Little Boxes of Memories
The Oral history department has been involved in creating Little Boxes of Memories. This is a multi-sensory story sharing experience for young people who have severe and complex disabilities at Greenvale School. The Little Boxes of Memories convey the experiences and memories inspired by recordings done with older Londoners using touch, smell, sound and visual stimuli. The boxes have been designed with young people with severe and complex disabilities, volunteers, and artists, and is collaboration between Entelechy Arts and the Museum of London.
‘Little Boxes of Memories’ will tour to 10 Special Education Needs (SEN) Schools in London to allow the children to learn from the experiences of the older generation.
#Citizencurators was the Museum’s pilot social media collecting project that ran throughout the 2 weeks of the Olympic Games.
We invited 16 Twitter users to use the project hashtag #citizencurators to tweet about their experiences and reactions to life in London during the Games. The Museum made a pledge to harvest any tweets that used the hashtag, in order to explore the potential of capturing the immediacy of events around the Olympics as they unfold. The Museum harvested c.7000 tweets and retweets over a 2 week period, creating a document of small group of Londoners’ lives during this time. As we begin to data-mine this material it is possible to broadly categorise the types of tweets that used the #citizencurators hashtag. These include daily experiences, documenting day to day experiences or a changing sense of the city. Debates reflecting on wider stories surrounding the Olympics. Community impact, documenting the impact of the Olympics on local communities or environments. For further information http://citizencurators.com/
Many East Ends gallery- Museum of London, Docklands
The consultation process and concept development for an exciting new gallery to replace New Port, New City Gallery at the Museum of London Docklands is under way.
Many East Ends is a working title, which encapsulates the starting point of this consultation, acknowledging that there will be multiple perspectives on the subject. The process for creating the new gallery involves a programme of research, consultation and collaboration, with a range of individuals and groups, whose contributions have stimulated discussions and debates around how the story of the East End could be told.
Oral history from our collections and video recordings will feature strongly within the new gallery. This will include recently digitalised oral histories as well as material from our Port and River Collection, made available as a result of the work carried out through the Recorded Media Project.
The War on our Doorstep: London’s East End and how the Blitz changed it forever
By Harriet Salisbury (Author), and the Museum of London Group [Paperback: published by Ebury Press]
Over the past year author Harriet Salisbury has been a regular researcher at the Museum delving into the Museum’s oral history collection whilst writing her book, The War on our Doorstep. The book is a fascinating history of the East End of London from the start of the 20th century to the late 1950s, as told by those who lived through this period and is based on the oral history recordings held within the Museum of London’s oral history collection.
Read about the discoveries that Harriet made while delving into the Museum of London’s oral history collections for her new book, in this blog.
Oral History Blogs:
Catch up with some of our oral history blogs here:
Research and Access to the Collections
The Museum continues to provide advice in response to a steady stream of enquiries from people from a range of backgrounds and sectors working on oral history collecting and display projects. We have seen an increasing number of students looking at oral history as part of museum studies and migration studies courses among others, and an interest in our work with LGBTQ oral history and collecting.
The Museum welcomes researchers who wish to study its stored collections. An appointment must be arranged before your visit, and we have recently updated our research procedures. Information and a Research Request From can be found at: http://www.museumoflondon.org.uk/Collections-Research/Access-enquiries/Research-Visits.htm.
Leicestershire & Rutland
Cynthia Brown & Colin Hyde
Oral histories have formed part of several local projects funded under the HLF ‘All Our Stories’ programme. They include ‘For Truth’s Sake’ by the Leicester Secular Society, which was founded in 1851 and is the oldest surviving Secular Society in England. Extracts from interviews featured in an exhibition in September 2013, and will be used in other activities to document the Society’s history and that of the Secular Hall, which was opened in 1881 and still hosts the Society’s meetings and other events. The BU History Group has also received funding under the ‘All Our Stories’ programme to produce a website, DVD and book based on the memories of former employees of the British United Shoe Machinery Co (BUSM). The ‘BU’ was once the largest producer of shoe-making machinery in the world, employing 4500 people at its peak. The interviews are being deposited in the East Midlands Oral History Archive (EMOHA).
Other new projects have been funded through the ‘Building Shared Heritages’ programme in which the University of Leicester’s School of Historical Studies aims to widen access to its resources and help local groups with research and access to funding. ‘Not Lost the Plot’, by the Friends of Queens Road Allotments in Leicester, is exploring the heritage of over 160 privately-owned allotments, purchased from the Craddock family in 1926. A project by the Leicester Mayasa Link Group, ‘Reaching Out: the untold story of Leicester’s twinning links’, aims to explore and record both the civic and social aspects of the City’s twinning links with Strasbourg (France), Krefeld (Germany), Rajkot (India), Chongqing (China) and Haskovo (Bulgaria), as well as Mayasa (Nicaragua) itself. It will be recording memories and collecting photographs, documents and artefacts with a view to producing an exhibition, educational resources and a video.
The Hinckley and Bosworth Sound Archive has recently been updated and has a variety of reminiscences and interviews hosted by Hilltop Radio and Earsight. The oral history section features interviews conducted by Rhianydd Murray on the hosiery industry in Hinckley at http://www.habsa.co.uk/.
The annual EMOHA Oral History Day was held at the University of Leicester in June 2013 on the theme of ‘Oral History: past, present and future’. Organised by Colin Hyde and Cynthia Brown, it also marked the thirtieth anniversary of the original Leicester Oral History Archive and Mantle Oral History Archive in North West Leicestershire, established with funding from the Manpower Services Commission. Colin’s reflection on thirty years of oral history in Leicester and Leicestershire was followed by presentations from Simon Dixon and Tom Hulme on ‘rediscovering’ the history of Leicester’s Cultural Quarter through oral histories, and by Terese Bird on the use of oral history with other media in the ‘Manufacturing Pasts’ website. All three are based at the University of Leicester. Other speakers were Wendy Freer, who talked about the use of digital sound at Ashby-de-la-Zouch Museum; Roger Kitchen, who reflected on the origins of the Living Archive in Milton Keynes, and the challenges and rewards of turning oral testimony into dramatic productions; and Nick Hayes, who gave an update on options for recording equipment. Around thirty people attended from across the East Midlands.
EMOHA continues to contribute to a range of University of Leicester projects investigating the effects of deindustrialisation in Leicester. This work includes the history of Leicester’s industry for the City Council’s ‘Story of Leicester’ website, which also links to previous projects ‘Manufacturing Pasts’ and ‘My Leicestershire History’: www.leicester.gov.uk/your-council-services/lc/storyofleicester/ cityheritage/atwork/. Colin Hyde of EMOHA, Liz Blood of Leicestershire County Council, and Burt McNeill of the Record Office for Leicestershire, Leicester & Rutland (ROLLR) have been recording interviews with members of the Leicestershire Branch of the British Korean Veterans Association to mark the 60th anniversary of the end of the Korean War. The interviewing is now finished and a brief look at the recent service of remembrance at Leicestershire County Hall is available on You Tube at http://youtu.be/pHDAt2hqQn8 . The plan is to create a longer documentary using the interviews and the large amount of memorabilia that has been collected during the project.
‘Dialect & Oral History: the East Midlands’ is a new resource on EMOHA’s website. This project was a collaborative research project conducted in 2011-2012 by researchers from the University of Leicester and Nottingham Trent University. Funded by The British Academy, the project identified variation and change in the East Midlands dialect through an investigation of recorded voices from oral history archives. To address a gap in previous linguistic research in the area, the study examined a number of archival oral history interviews from the latter half of the last century and compared those with interviews conducted more recently. Have a listen to voices from across the East Midlands here: www.le.ac.uk/emoha/community/dialect/home.html.
EMOHA has also taken in several new collections over the past year, among them recordings made for an exhibition about hair braiding; those made for the Centre for Indian Classical Dance (CICD) Karman Project about South Asian classical dance in Leicester; a project called ‘Father Used to Say’ that gathered stories from Leicestershire people and set them to music; interviews about the history of Leicester’s Cultural Quarter; Leicester Museum’s ‘Suits & Saris’ project about South Asian clothing; Mosaic’s ‘Our Lives’ project, about the lives of disabled people; and ‘Mountsorrel Memories of Stone, Steam & Steel’, a project by Glassball Arts in partnership with the Mountsorrel Heritage Group and Lafarge Aggregates & Concrete UK. These reflect the wide variety of projects that groups in Leicestershire have been involved with. Although most of these will not be catalogued in the near future, they will be stored safely and made available to anyone wanting to listen to them.
A full list of collections held at EMOHA can be found at www.le.ac.uk/emoha/catalogue/collections.html.
At the Local Studies section of Nottingham Central Library we continue to support local projects, mainly with advice and use of our collection for research. We are also willing to receive copies of oral history from local Nottingham and Nottinghamshire projects for archiving and also copies for the library’s collection where possible.
Nottingham Women’s Centre have successfully gained an HLF Grant to carry out a project about the Women’s liberation movement in Nottingham and Nottingham Women’s Centre when it was located on Shakespeare Street in the 1970s – mid 1980s. They are trying to locate women who worked at/used the centre during this era to interview and record their memories; as well as exploring ways to preserve the archives that they currently hold.
Eleven-eleven-eleven (Part of Nottingham City Council First World war Project – ‘From the Trent to the Trenches – Nottinghamshire in the Great War 1914-18) is a community memories project that attempts to gather stories from the many diverse communities that make up Nottingham as it is today. In 1914 the city was a very different place than it is now, and most of the communities that have settled here since, will not have been present during the years of World War 1. But there will be people from across the city’s many communities who have family stories connected to the war. These may be stories of relatives serving in armies, maybe for the British Empire Forces, the Allied Forces, or the Central Powers. Or they may be stories connected to the impact of the war on the countries in which their relatives lived.
The Children of the Croft project has now been completed. This is the history of the Family First at The Croft, Nottingham from 1966 to 1975; it was managed by Now Heritage. The Croft, Nottingham, a large house in Alexandra Park could house eight women and their small children at any one time. More information can be found on their website www.storiesofthecroft.org.uk – an online exhibition created from this project (November 2011- January 2013).
Daniel O’Neill, a current PhD student at the University of Nottingham is working on the John Player Advertising Archive that the City Council’s museum service holds. As part of this he is conducting an oral history project interviewing former employees of Player’s. The aim is to get at the stories behind some of the physical objects we hold.
There is also the Nottingham Green spaces project, supported by the Arts and Humanities Research Council, this community history project aims to examine the changing social and cultural uses of the Forest, the Arboretum, the General Cemetery, Church Cemetery and some of the other green spaces formed during the mid-nineteenth century. Led by the University of Nottingham and the University of Derby and working with the Friends of the Forest, Friends of the Nottingham Arboretum, Nottingham City Council, Nottingham Women’s History Group and other partners, it is exploring the relationship between the parks and the changing communities in their vicinity. The project is directed by Professor John Beckett of the University of Nottingham and Dr. Paul Elliott of the University of Derby. More information can be found at www.ng-spaces.org.uk
Leicestershire & Rutland
(Cynthia Brown & Colin Hyde)
EAST MIDLANDS ORAL HISTORY ARCHIVE
A series of interviews to mark ninety years of the British Legion in Leicestershire and Rutland has now come to an end. All the information gathered through the interviews will be kept at the Record Office for Leicestershire, Leicester & Rutland (ROLLR) along with documentary material collected as part of the same project. There is more information at www.leics.gov.uk/britishlegion. Videos from the ‘Migration Stories’ project have been added to the EMOHA YouTube site and are also presented on a map of the East Midlands on the Migration Stories website at www.migrationstories.co.uk/. The ‘Village Voices’ project to record Leicestershire accents and dialects has been extended to cover more ground and add to the recordings already collected.
EMOHA held its annual Oral History Day in June 2012 on the theme of ‘Telling Stories’, attended by delegates from across the region. Speakers included Sally Horrocks from the University of Leicester, who is also Academic Advisor to the National Life Stories ‘Oral History of Science’ project, and Ruth Page from the University’s Department of English who spoke about narrative theory; Michelle Winslow on recording end-of-life stories in a palliative care environment in Sheffield; Helen Bates and volunteers from the ‘On the Flats’ project on Hyson Green in Nottingham (see Nottingham below for more details); Roger Kitchen on digital storytelling; and Pete Davis, a storyteller, who described his work with elderly people with dementia – as well as telling a story of his own!
Other work in Leicestershire and Rutland over the past year includes a one-year project by Mosaic, a Leicester-based organisation providing information and services to disabled people. It has been conducting interviews to document the lives of forty five people who were either born with a disability; have suffered a sudden trauma or stroke, or been wounded through war or accident; or who have acquired a disability through a progressive medical condition. At the end of the project the results will be shared through a DVD, magazine and travelling exhibition, aimed both at the general public and schoolchildren.
The three villages featured in Michael Wood’s Story of England BBC TV series were awarded Heritage Lottery funding for a ‘Heritage Legacy Project’ through which volunteers have produced material for a series of heritage trails, interpretation panels and school study packs. The project includes memories recorded in audio and video, and these will also be featured in a new online Kibworth Archive alongside photographs and historical documents. See www.leicestershirevillages.com/kibworthbeauchamp. De Montfort Hall, a major music and entertainment centre in Leicester, has been appealing for memories of concerts and other events at the Hall to help celebrate its centenary in 2013. The Hall was designed by the local architect Shirley Harrison for the Corporation of Leicester, and completed at a cost of around £21,000. As well as hosting recitals by many distinguished organists, De Montfort Hall has been a regular venue for classical music concerts, pantomime and popular music including the Beatles and Rolling Stones in the 1960s.
The Highfields Association of Residents and Tenants (HART) in Leicester has published a book based on memories of living or working in the South Highfields area of the city, which has attracted migrants from many different cultures over the years. It was supported by funding from Near Neighbours, a project administered through the Church Urban Fund to encourage people from different faiths to get to know each other better and establish initiatives to improve local neighbourhoods. A project celebrating thirty years of the Centre for Classical Indian Dance (CICD) in Leicester was also completed in June 2012 with the launch of an exhibition and book. Entitled ‘Karman’ – the Sanskrit word for ‘works’, ‘deeds’ or ‘actions’ � the project was funded by the HLF. Volunteers recorded over fifty interviews with past and present students, dance teachers, arts administrators and others who have been involved with CICD since its foundation by Nilima Devi. Hundreds of students have studied at CICD over the years, some up to the level of a six year Diploma Course in Kathak.
The young people’s performance group Nani Hathi, based in Blaby, Leicestershire was been awarded �23,300 to uncover the ‘forgotten’ stories of soldiers from the 4th Indian Division who fought at the Battle of Monte Cassino in Italy in 1944. The two year project will involve interviews with veterans who moved to Leicestershire after the war, or people in the Asian communities who have memories of fathers, uncles or other relatives who served there. Fifteen volunteers aged from fifteen to their early twenties are conducting the first interviews alongside research in archives at the Imperial War Museum, and it is hoped to involve a further forty volunteers over the course of the project. The Policy Research Centre at the Islamic Foundation at Markfield, Leicestershire is planning an oral history archive preserving the history of British Muslims. This aims to explore the process of settlement and experiences of the pioneering first generation who arrived in the UK from 1950-79. Volunteers have been recruited to make short films, conduct interviews in Arabic, Gujarati, Bangla, Urdu and Punjabi, edit video recordings, take photographs, and develop a website. The Policy Research Centre specialises in research, policy advice and training on issues related to British Muslims.
Here at the Local Studies section of Nottingham Central Library we continue to support local projects, mainly with advice. We also continue to receive copies of oral history from local Nottingham and Nottinghamshire projects for archiving and copies for the library’s collection where possible.
As to current projects, the Hyson Green ‘On the Flats’ project has now been completed and a book produced and launched in April 2012. The launch was at Nottingham City’s Hyson Green Library on Gregory Boulevard, close to where the ‘Flats’ were located.
The Children of the Croft project has been successful with its bid to the HLF and has now started. This is the history of the Family First at The Croft, Nottingham from 1966 to 1975, managed by Now Heritage. Now Heritage is a Community Interest company formed to carry out oral history projects by Barbara Reed, based in Nottingham and her daughter Emma Golby Kirk, who lives in Bristol and has previous experience in media and oral history work. The Croft, Nottingham, a large house in Alexandra Park could house eight women and their small children at any one time. The project aims to interview the early members of staff of the Family First at the Croft. They have asked to deposit the results of the project, particularly oral history recordings with the Local Studies library. A group of their volunteers have had a short tour of the Local Studies library and commenced with their research there.
A group of Fine Arts students are currently working on a project about the Old Market Square, hopefully to create an audio guide, which includes oral history recordings from the present and the past. But this is still in its infancy so exact ‘angle’ not yet finalised. It sounds as though it could be really interesting.
Another project beginning in August this year, is to record the thoughts and memories of residents of the Lenton flats which are due for demolition shortly. The Dunkirk and Lenton partnership are carrying out this project.
The Norfolk Record Office continues to support oral history projects in the county, by running basic training, lending equipment and acting as a place of deposit for recorded oral history interviews.
The projects which have been supported by the NRO reflect a diverse range of subjects and locations. They include St Seraphim Chapel in Little Walsingham who are collecting interview’s relating to Chapel’s life as a railway station and a centre for icon painting. Two other projects reflect the county’s maritime heritage. The Wherry Yacht Charter Charitable Trust and the Rescue Wooden Boats project were both seeking to interview those associated with building, maintaining and using different types of boats. The NRO has also supported young people from Norwich to produce a documentary regarding Norfolk’s Islamic community. Several Norfolk villages and towns have sought help with oral history projects. These include Shotesham, Aylsham, Thetford, Taverham and Hickling.
The NRO has also received several hundred recorded interviews. Again, the interviews relate to a wide range of subjects and Norfolk places. Subjects reflected in the interviews include the Agricultural Workers Union, Norwich’s Baedecker raids during the Second World War, archaeology and Norfolk’s black and minority ethnic communities. The NRO has also received several interviews of former players of Norwich City Football Club as well as non-playing staff and supporters.
The NRO has also received over a hundred interviews from the Norwich Living History group, which has decided to finish its activities. This organization has collected many life interviews of current and former inhabitants of Norwich. Another organization which operates in Norfolk, which has received support from the NRO, is the Wise Archive. This Norfolk based organization records and preserves the working life stories of people in the United Kingdom in order to recognise and value the contribution they have made to society.
The NRO has also contributed to a project entitled ‘Eighth in the East’ which has just received a grant from the HLF. The project aims to explore the impact of the United States Army Air Force’s Eighth Army in East Anglia during the Second World War through oral history, community archaeology, drama and local exhibitions.
As a freelance oral historian I’ve been working as a project manager since October 2012 with Legasee Educational Trust for their 65th anniversary of the Berlin Airlift project. This has been successfully completed this October and I’m delighted to say we have recorded fifty interviews with British veterans of the airlift. The interviews are uploaded on the archive page of the Legasee website: http://www.legasee.org.uk/the-archive/ Bungay High School was involved in filming some of the interviews with days organised at Duxford Museum and the Norfolk & Suffolk Aviation Museum. A celebratory event was held at NSAM for over eighty veterans and their families with a pop-up exhibition. This has been a wonderful project to work on and I’ve made some new friends with the veterans and their families! Some of their families weren’t even aware of their parent’s role in the airlift until we began this project and several veterans have passed away since we filmed them which makes their stories even more precious for their families and the archive.
My current project I’ve just begun working on this week is with Colchester and Ipswich Museum Service who are delivering a major Heritage Lottery funded redevelopment of Colchester Castle. One element of this redevelopment is to film ten oral history interviews with a range of individuals from the Colchester Garrison community, past and present. The museum will incorporate these into an interactive display which will enhance the displays in Colchester Castle which is re-opening in Spring 2014.
In the last year I’ve received general enquiries from fewer local history groups and museums seeking advice and guidance on which recording equipment is best for their purpose and which oral history elements to include in a bid for Heritage Lottery Funding.
However I have received requests to train oral history volunteers from local history societies and museums who have already been successful in their funding bid with Heritage Lottery. Examples of projects I’ve personally been involved with are:
Pascal Theatre: At the end of last year I was asked by Pascal Theatre to train a group of volunteers to record interviews with families of those connected to Trent Park in the Second World War, known as the secret listeners. (Background: Between 1942 and 1945 German Generals were imprisoned at Trent Park. British Military Intelligence spied on them to try and learn military secrets. Until now this has been kept top secret, www.secretlisteners.com)
Little Waldingfield History Society was granted funding by Heritage Lottery to record memories of their village. In January I was asked to train their group of volunteers in an introduction to oral history interviewing and recording skills.
Ely Wildspace: A group of local campaigners for the protection of rural Ely secured funding for their wider project which includes an oral history project collecting memories of how the common was used within living memory and the changes to wildlife and landscape. The group asked me to hold a training workshop in June for a group of volunteers who are gathering the memories of local villagers.
Mildenhall Museum in Suffolk is managed by volunteers and they asked me to recorded some memories about one of their early founders and the archaeological finds in their area such as the Iceni coin hoard and the burial graves at RAF Lakenheath.
Cambridge University Press – is continuing with some new interviews and I’ve been editing the existing interviews from 2011 for their corporate archive.
In November 2012 the University of Essex hosted two events as part of the Economic and Social Research Council’s annual Festival of Social Science. Both events offered opportunities for members of the public to share memories. One event – at which a number of interviews were recorded by Professor Paul Thompson – gathered information relating to the impact of the Marconi factory in Chelmsford. The other commemorated the 60th anniversary of the East Coast Flood of 1953.
November also saw the publication of The 1953 Essex Flood Disaster: The People’s Story, a book by local author Patricia Rennoldson Smith which was largely drawn from interviews with survivors of the floods.
Continuing with the sea theme, a number of interviews were recorded with wives of fishermen from Leigh on Sea. Extracts from the interviews were made available via a blog called “The Seagull That Lived in the Shower” [http://sdoralhistory.blogspot.co.uk/] which was created in March 2013 to mark International Women’s Day.
A number of projects in Essex have benefitted from grants awarded by the Heritage Lottery Fund. January 2013 saw the launch in Grays of the British South Asian Theatre Memories project. The Silver End Heritage Society has received funding for a project to record the experiences of those living, working and growing up in the village of Silver End which was designed to house workers at the Crittall windows factory. Essex County Fire and Rescue Service has been recruiting volunteers to assist with a project to record interviews with former fire-fighters as well as a number of people who have been affected by major fire incidents in the county.
A touring exhibition on the History of Jazz in Essex has been opened. This is the result of a project run by Essex on Tour, which is part of Essex County Council, in which nearly 50 interviews have been recorded with musicians, promoters and venue holders. The project began with sadness and a feeling of a missed opportunity as the first interviewee was to have been Kenny Ball who, unfortunately, died only a month before the project was ready to begin recording interviews.
The Essex Sound and Video Archive at the Essex Record Office has received £53,700 in development funding from the Heritage Lottery Fund for the You Are Hear: sound and a sense of place project. The project will aim to digitise and catalogue recordings held in the archive, focussing on collections of oral history interviews. This wealth of digitised recordings will then be presented in different ways, enabling Essex residents in particular to learn about, interact with and enjoy the recordings, helping them to use the sounds of Essex people and places over the last 100 years to develop or enhance their sense of place.
Report uploaded by: Juliana Vandegrift