Tallin Tallin – The Story Project


Tallin Tallin is a project that aims to preserve and promote the rich tradition of oral storytelling in The Gambia, West Africa; the evening entertainment that has captured the imaginations of so many generations of adults and children. In addition, it hopes to help address the Western-centric nature of many of the stories available to children in schools in the region. The project is being developed by artist Amy Pitt (www.amypitt.com) alongside WYCE, a charity that has been operating in rural Gambia since 2001 (www.wyce.org.uk).

Over the last few years, the project has travelled 914km across The Gambia, collecting traditional oral stories from 8 ethnic groups. For years, these stories have been passed on from generation to generation as a means of entertainment, to encourage debate and discussion, and to teach important cultural values. However, with younger Gambians increasingly living away from their extended family, and with Western forms of entertainment increasingly encroaching into everyday life, there is a real risk that as the generation that knows these stories passes they will be lost to this rapidly developing country forever.

Tallin Tallin will collate these stories, preserving them as a lively, illustrated book, one of which will be distributed to every primary school in The Gambia, free-of-charge. In doing so, the project intends to create a resource that celebrates local heritage and culture, encourages engagement with literature and storytelling, and has direct relevance to the people of The Gambia. Additionally, the original audio recordings will be made into a digital archive, so that these stories can be downloaded to phones, laptops, and tablets, and be widely engaged with in the format that they have always been shared.

In the long-term, the dream is to create a one-day festival celebrating the cultural tradition of oral storytelling. The festival will take place annually in three locations in The Gambia, and involve local storytellers and musicians.

In early April, a crowdfunder campaign will be launched which aims to raise £6000 in 30 days. This money will be used to:

  • Print 1000 books and ship them to The Gambia
  • Create the digital archive of original recordings and illustrations

If you are interested in finding out more about the project, and to keep up-to-date with the crowdfunder campaign and other updates, then please follow the contact details below:

Online: www.tallintallin.com

Email: amy@tallintallin.com

Facebook: @TallinTallinStoryProject

Instagram: tallin_tallin_story_project

Twitter: @Tallin_Tallin_






The Fieldwork Journals of Eric R. Cregeen (1921-83)


Project summary
Internationally renowned social historian Eric R. Cregeen (1921–83) was one of UK’s prime movers in recording oral history. Rigorously trained by the Irish Folklore Commission in the 1940s (while recording for the Manx Folk-Life Survey), Cregeen settled in Scotland (1954) taking up posts with the University of Glasgow then, in 1966, with Edinburgh University’s School of Scottish Studies. 

Eric R. Cregeen worked tirelessly in the West Highlands and Islands of Scotland, where he recorded the way of life of people who lived off the land and sea.  He catalogued his tapes and deposited them in the Archives of the School of Scottish Studies, until his sudden death in 1983 robbed Scotland of an outstanding oral historian, folklorist and scholar.  Historiographer Royal of Scotland, Professor T. C. Smout described Cregeen as “a social scientist of the highest order… a very fine historian and a very fine anthropologist… far in advance of this time … no one since has put the two disciplines together so effectively to illuminate the life of the Highlands.”

Besides his recordings and published writings, Cregeen’s legacy included over 30 fieldwork notebooks, which remained with his family until 2015 when Mrs Lily Cregeen handed over a box of fieldwork journals to Margaret Bennett (former lecturer at the School of Scottish Studies), a Trustee of the charity Grace Notes Scotland (“dedicated to handing on tradition”). With a grant from Heritage Lottery the journals were digitized, and a team of transcribers typed over 4,000 pages of oral history fieldwork notes.  After the project was completed, Margaret Bennett collaborated with publisher  Gonzalo Mazzei (Grace Note Publications) to produce  9 volumes shown here:  The Cregeen Journals (1939–82). 

A set of the journals has been added to the  Special Collections of the University of Edinburgh, and an on-line database is planned. The University of Glasgow is also incorporating Cregeen’s work into their database DASG (Digital Archive of Scottish Gaelic), and it is hoped that researchers will enjoy further access to the work of this very fine oral historian.

Further enquiries regarding the 9 volume set may be made via info@gracenotescotland.org

Reflections on the project:
Talks and exhibitions were well attended, and local history groups took part in workshops.
To begin with, few people had heard of Cregeen, but some were very excited when they recognised family members among the photos. One young man ‘met’ his grandfather in the journals, photos and recordings, and, considering the grandfather had died before he was born, he was deeply moved to discover the wealth of tradition that Cregeen had recorded from him.  As it happened, a film-maker from BBC Alba also attended, and when he saw the powerful effect of this, he took up the ‘story’ and then made an hour-long documentary film, which has just been completed and telecast on BBC Alba (Feb. 25, available on iplayer).

Other outputs: The project produced 6 exhibitions, starting with an opening exhibition at the National Library of Scotland (Edinburgh) and  a final exhibition in Lochmaddy, North Uist (April 1 to May 30, 2018)

The project also included 10 oral history workshops for schools in the areas where Cregeen worked.

Contact details
Dr G. Mazzei
Grace Note Publications
‘Grange of Locherlour’
Crieff, PH7 4JS

Telephone:01764 655979
Email: info@gracenotescotland.org

Photographs by Gonzalo Mazzei, used with permission.